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你是否也曾嘗試用“打卡”的方式,在一段時間裡堅持連續的設計創作?若這種“每日設計習作”變成了比賽,風格各異的設計師們將碰撞出怎樣的作品呢?
通過每週或每日設計一幅作品,以鍛煉自身技能和積累靈感,這樣的項目在設計行業並不少見。又一山人曾每週設計一張海報,創作了《每週出海》系列;美國設計師MarsMaiers則連續1000多天不間斷,堅持每日設計海報(點擊此處了解更多MarsMaiers的作品). .....而兩位來自巴塞羅那的設計師Nina>
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2014年,Nina和Rafa在Instagram上發起了“36DaysofType”項目。他們每年都會邀請全世界的設計師、插畫師和字體設計愛好者們在36天裡,按照規定日程,設計A到Z、0到9這26個字母和10個數字,並將作品上傳到Instagram上。
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2020年第七屆“36DaysofType”項目日程(3月2日-4月6日)
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2019年設計師在Instagram上傳作品參加此項目的示例
2019年正值項目發起的六週年之際,Nina>和Rafa>決定與Adobe合作,在眾多參賽的字體設計中選出六組最優秀的作品,並贈予它們的創造者為期一年的Creative>JulieFeatherstone、LewisMacDonald、ShakthiHariNV、JessEbsworth、LiamBevin和ZaiDivecha。 >
Design360°將會為大家分享他們的獲獎設計作品,以及平面設計師與評論家YvesPeters在AdobeBlog上對他們的介紹。
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JulieFeatherstone
英國,倫敦>
個人官網:www.behance.net/juliechicago>>
Instagram:@jchicago>>
Julie是倫敦奧美的設計師,平時在業餘時間進行個人插畫與藝術創作。她畢業於中央聖馬丁藝術與設計學院,在設計實踐中對插畫和字體越來越感興趣。在18年來的設計工作中,她也成功地將插畫和文字排版應用到部分客戶的設計項目中。
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近年來,她學會了在AI中創建自定義矢量筆刷,並應用到自己的字體創作中。 Julie表示這需要大量的實驗,並對圖層、寬度、顏色和亮度進行微調。
Julie在Instagram上關注“36DaysofType”很長一段時間了。去年,她決定和幾位同事一起參加比賽。 “我們相互鼓勵,繼續前進,每天督促自己創造一些新的東西。我也很喜歡我們每個人有不同的風格。”
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Julie對每個字體的構思都是和她當時的心情互相對應的。另外,她也會在創作時發現一些從未用過的新設計技巧。例如,在設計“L”時,她發現可以在PS中將字母設計成立體圖形。
有時她能直接將想到的創意方案勾畫出來,但大多數情況下都會從某幅圖像或是一組顏色開始,然後慢慢激發自己的靈感。 “一開始,我不敢相信自己贏了,尤其是和這麼多精心設計的作品競爭。”想到自己的獲獎,Julie很開心,“結果公佈時,辦公室裡的同事都為我歡呼,太棒了!”
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LewisMacDonald
英國,蘇格蘭格拉斯哥>
個人官網:www.polytype.co.uk>>
Instagram:@>polytypefoundry>
Lewis的字體設計是經由他的獨立字體設計工作室Polytype>平台發布的。在大學時期,他經常為學校的音樂舞蹈活動設計海報和宣傳單,並漸漸開始關注好看的、優秀的字體,並能輕易識別出很多字體。他一心想創造屬於自己的字體,甚至連期末考試也考砸了。
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Lewis把每個字母或是數字的設計都看作一個新的挑戰。每一天,他都會信手塗鴉腦海裡出現的任何想法,慢慢完善並探索出一堆變體,然後從中選擇一個最喜歡的樣式。他有時會錯開連續的線條(如“F”),或是將字體中的連接線縮小(如“M”和“U”)。 “畫這些圖形,想清楚如何把所有元素像拼圖一樣組合在一起,是一件讓人十分愉悅而滿足的事情。”
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這是Lewis第三年參加“36DaysofType”了,但卻是第一次完整地完成了整個挑戰。當他看到Instagram上有其他人再上傳了第一天的字體設計時,才意識到這個挑戰已經開始了!
有了以往的經驗,他明白如果自己錯過了一次日常更新,整個進度就會落後,然後失去完成整個系列的動力。 “雖然有幾天很難做出自己滿意的作品,但整體而言,整個挑戰進展得還算順利,我總能想出一些自己真正喜歡的東西。”
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ShakthiHariNV
印度,泰米爾納德>
個人官網:www.dribbble.com/shakthiharinv>>
Instagram:@shakthiharinv>>
ShakthiHariNV是一位自學成才的平面設計師和插畫家。他來自印度泰米爾納德綁一個叫Jayankondam的小鎮,在大學自學了Photoshop、Illustrator和其他Adobe工具。 Shakthi曾就讀化學工程,也做過商業技術分析師的工作。後來逐漸意識到創意和藝術創作才是自己真正想做的事情。
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這是Shakthi連續第三年參加“36DaysofType”挑戰了,“我從大學時就知道了這個項目。當時我在Instagram上尋找靈感,注意到幾個令人驚嘆的設計作品,下面都附帶了這個標籤。”他過去沒有專門研究過字體字形,在文字排版設計方面的知識有限。因此,他決定用“負空間”的手法來創造字母和數字,而不是直接設計一套全新的字體。
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“負空間”手法的使用,使Shakthi很容易設計具有對稱性的字體,但要設計具有銳利邊緣的字母和數字卻比較困難,最後他本人最喜歡的也是0到9這10個數字插畫。
在創作時,Shakthi會先用傳統方法畫出作品的草圖,然後再導入到電腦中,豐富其中的細節。在保持全職工作的同時進行36天的挑戰,這對Shakthi來說是有一定難度的,“有時候我真的想放棄,但在一個月裡連續每天都創造一些新東西,能帶給我愉悅和滿足......而每天創作這些插畫也會讓我的心情變得平靜。”
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JessEbsworth
英國,倫敦>
個人官網:>www.jessica-ebsworth.squarespace.com>>
Instagram:@jessebsworth>>
JessEbsworth在2015年畢業於曼徹斯特城市大學藝術和人文學院,隨後的兩年曾為啤酒品牌PlatoBrewing設計包裝,並為英國各地的俱樂部之夜設計海報。她也簽約了插畫公司RoarIllustrationAgency,因此接觸了更多客戶。
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Jess不是很懂文字排版,但她很喜歡用插畫的方式去創作字體。而且她的設計生動有趣,展示了自己獨特的視覺語言。 2018年參加“36DaysofType”時,她只創作了一部分字母,但卻受到廣泛好評。因此,她決定在2019年完成所有的字母和數字設計挑戰。
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Jess希望每個字母或數字都有獨立的風格,同時插畫本身要和當天的字母或數字相關聯。例如“D”代表DJ,“N”代表“Noodle(麵條)”。
Jess不會在創作的一開始就想好一個特定的單詞。她通常會先畫出基本的字符形狀,然後在AI中胡亂圖畫,搭配不同的形狀和顏色。在這個過程中,好的創意就會慢慢浮現於腦海,“總體來說,整個設計歷程是一次對創造性思維的鍛煉,它真的讓我找到了很多解決問題的新方法。”
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LiamBevin
英國,伯明翰>
個人官網:www.liambevin.net>>
Instagram:@proline.lb>>
19歲的LiamLiam去年從英國伯明翰的藝術教育機構FEEDStudio畢業。他沒有繼續深造,而是作為自由職業者參加一些MV製作等設計項目,並運營幾個YouTube。
Liam第一次參加“36DaysofType”是在2018年,但當時並未投入太多精力。聊到字體設計,Bevin說:“我除了在大學裡創作過一套字體,也並沒有其他太多的經驗,但這讓比賽變得更有趣!”在2019年的比賽中,他以一種更輕鬆的方式完成了這套設計,“我覺得讓自己開心和發揮創意是最重要的,並不會為了快速完成項目而給自己施加壓力。”
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Liam把比賽當做一個嘗試新風格的機會。每個字母或數字的設計都會從一個主要的立體塊開始,比如一個長條圓柱體,而後再以此為主要焦點,圍繞這個主體搭建其它的立體塊。 Liam需要盡力讓整個結構不會在手機上看起來很雜亂,“我希望各個立體塊間都能保持平衡,同時讓人們覺得這些字體都像真的存在於現實中。”
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Liam也盡力保證每個字母或數字的可讀性。 “有時候,我會意識到設計的草稿和數字、字母並不相似,或者整體重量感和平衡感的效果不好。這種情況下,我會離開幾分鐘,然後帶著新想法回來再試一次。”
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ZaiDivecha
美國,舊金山>
個人官網:www.zaidivecha.com/links>>
Instagram:@zaidivecha>>
舊金山的紙藝藝術家ZaiDivecha將36個字母和數字設計成了幾何紙雕塑和大型藝術裝置。當時,是一位連續三年參加“36DaysofType”的插畫設計師朋友向她提起了這個項目。
雖然比賽即將開始,留給Zai準備的時間所剩無幾,她還是決定要全身心投入到項目中去,“我確定了這次設計中所需要的元素和材料——白紙、膠水、5× 5寸的底闆卡片等,並想好如何拍攝這些作品,然後就開始這場比賽了。”
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除了在大學上過一堂字體印刷課外,Zai從未認真學習過或嘗試過字體設計。因此,這不僅是Zai首次參加“36DaysofType”,也是她第一次專門研究字體的設計創作。
“那時,我嘗試了折疊、捲起、撕裂、戳洞或切割等各種紙藝技巧,並將此作為設計字母和數字的基礎概念。”Zai回憶道,“一旦發現了一種我喜歡的新圖案模式或製作技巧,我就會想辦法把它變成一個字母或數字。”
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在創作的過程中,Zai需要進行大量的實驗,比如將紙捲成管狀並切刻出小褶葉,或是揉成紙團狀。這些實驗也讓她改良了一些常見技巧,並研究出了不少新技術。
每一件作品都需要花1至3小時進行創作,然後再用半個小時進行拍攝和後期製作。 Zai偶爾能一次性創作3-4個字母數字,但大多數時候都是在最後一分鐘才完成當天的作品。她之所以能堅持下去,是因為從參加比賽的設計師和粉絲那裡得到了很多鼓勵和支持。而這個項目中的一些作品也成為了她後續大型裝置作品的創作靈感。
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2020年的第七屆“36DaysofType”比賽已於3月2日開始。期待在今年的挑戰中,會出現更多靈動有趣,讓人驚嘆的作品。欲了解更多作品或比賽信息,請點擊閱讀原文前往官方網站,或前往官方Instagram:www.instagram.com/36daysoftype>
資料來源|www.> >theblog.adobe.com>
編譯排版|Roni>
校對|ChipsandYogurt、Yeeman>
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