"Literature and Art in the Early Qing Dynasty" PPT

"Literature and Art in the Early Qing Dynasty" PPT

Part One: Learning Objectives

1. Understand the ideological and artistic characteristics and attainments of the Qing Dynasty classical novel "A Dream of Red Mansions".

2. Master the basic historical facts about the prosperity of Kunqu Opera and Peking Opera in the Qing Dynasty.

3. Understand the characteristics of the Qing Dynasty culture and the basic methods of appreciating literary and artistic works.

PPT on literature and art in the early Qing Dynasty, part 2: new course exploration

Research point: "A Dream of Red Mansions"

The novel was originally titled "The Story of the Stone". Cao Xueqin devoted his whole life to arduous creation. During his lifetime, he basically finalized the first 80 chapters and the last 40 chapters, which were titled "A Dream of Red Mansions". The book has a broad background, complex plots, numerous clues, and numerous characters. It not only focused on shaping the images of typical characters such as Jia Baoyu and Lin Daiyu who resisted traditional ethics and pursued individual liberation, but also enthusiastically praised the resistance spirit of enslaved and downtrodden slaves and angrily criticized the stubborn forces represented by authoritarian parents. .

The Twelve Hairpins of Jinling: Lin Daiyu, Xue Baochai, Jia Yuanchun, Jia Tanchun, Shi Xiangyun, Miaoyu, Jia Yingchun, Jia Xichun, Wang Xifeng, Jia Qiaojie, Li Wan, Qin Keqing.

2. Influence

From the above materials, we can see how to understand the theme meaning of "Dream of Red Mansions"?

The decadent feudal society was bound to perish.

Impact: "A Dream of Red Mansions" has profound social significance; it has been translated into many languages ​​and has become a rare literary masterpiece in the world's cultural treasure house.

Research point: Kun Opera and Peking Opera

(1) Kun Opera

1. Rise: The art of opera developed into the Qing Dynasty and entered a more prosperous period. Drama creation in the Qing Dynasty was closely connected with social reality and reflected the aspirations of the people. Kun Opera and Peking Opera are the representatives.

2. Representative work: "The Peony Pavilion"

Tang Xianzu was a dramatist of the Ming Dynasty. He was born in 1550 and died in 1616. His courtesy name was Yiyi and his nickname was Ruoshi. His ancestral home was Linchuan, Jiangxi. Jinshi in the eleventh year of Wanli (1583), he served successively as Dr. Taichang of Nanjing, Chief Secretary of Zhanshi Mansion, and Chief Priest of the Ministry of Rites Temple. He had a close relationship with Gu Xiancheng and other Donglin Party members. In the 19th year, he was demoted to the canon of Xuwen County, Guangdong for criticizing the government. Tang Xianzu's legendary works include "The Peony Pavilion", "Handan Ji", "Nanke Ji", and "Purple Hairpin Ji", collectively known as "Four Dreams in Yumingtang". "The Peony Pavilion" is his masterpiece.

3. Characteristics: It not only embodies the soft and melodious characteristics of Southern opera, but also retains part of the impassioned tone of Northern opera. It combines literary forms such as poems, songs, and poems, and combines them with soft dance postures to give people a full artistic enjoyment.

(2) Peking Opera

production process

①The opportunity encountered in the origin of Peking Opera

Celebrating the eightieth birthday of Emperor Qianlong (1790).

②What is the symbolic event that marked the origin of Peking Opera?

The landmark event was the Hui Troupe's entry into Beijing (Sanqing, Sixi, Chuntai, and Hechun).

"Four major trades"

The professional division of labor among traditional opera actors is called "business". It refers to what kind of characters should be played by actors in which line. Divide the types of characters according to their different genders, ages, personalities, and identities. The division of Peking Opera is derived from ancient operas such as Kun Opera and Anhui and Han operas. It was originally known as the "Ten Characters", namely Sheng, Dan, Mo, Wai, Jing, Chou, Za, Shangshou, Xiashou and Popular. With the development of Peking Opera performing arts and the continuous enrichment of the repertoire, actors are required to adapt to the performance needs of various roles, so the original profession is gradually broken. Therefore, it was later simplified into the four major lines of Sheng, Dan, Jing, and Chou. Trades, facial makeup, and costumes constitute Peking Opera culture.

Peking Opera Art

Peking Opera absorbed the advantages of many local operas when it was first formed, and the folk local color was weak.

It is a comprehensive art that integrates literature, music, art, dance and other artistic elements. It has distinctive national characteristics and is known as China's "national drama"

PPT on literature and art in the early Qing Dynasty, part three: classroom training

1. The following works, by describing the decline of four feudal families and the love tragedy of aristocratic young people, profoundly lash out at the evils of the feudal system and feudal ethics ( )

A. "Journey to the West" B. "The Romance of the Three Kingdoms"

C. "Water Margin" D. "A Dream of Red Mansions"

2. Whose representative work is "The Peony Pavilion", which criticizes cannibalistic feudal ethics through a magical love story ( )

A. Luo Guanzhong B. Shi Naian

C. Wu Chengen D. Tang Xianzu

3. Peking Opera is the quintessence of China, and the arrival of Hui Troupes in Beijing played a key role in the formation of Peking Opera. The time when Huiban enters Beijing is ( )

A. During the Zhenguan period of the Tang Dynasty B. Hongwu period of Ming Dynasty

C. During the Qianlong period of the Qing Dynasty D. Republic of China period

4. The picture below "Thirteen Jue of Tongguang" reflects a type of opera that was formed and matured in the Qing Dynasty. The correct statement about this type of drama is ( )

①Tang Xianzu is the most famous playwright of this genre

②The play was born in Beijing, the national political and cultural center

③It is based on Anhui opera and Han opera and integrates tunes and performance methods of other operas

④Later, the genre gradually went global

A. ①②③ B． ②③

C. ②③④ D. ①②③④

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"Literature and Art in the Early Qing Dynasty" PPT download:

"Literature and Art in the Early Qing Dynasty" PPT Download Part One Content: "A Dream of Red Mansions" Author: Cao Xueqin Time of writing: Qing Dynasty (late Qianlong period) Main content: Taking the tragic love story of Jia Baoyu and Lin Daiyu as the main line, describing Jia, Shi, Wang, The four major Xue families...

"Literature and Art in the Early Qing Dynasty" PPT courseware:

"Literature and Art in the Early Qing Dynasty" PPT courseware Part One: "Dream of Red Mansions" 1. "Dream of Red Mansions" and its author The creation of novels in the Qing Dynasty has achieved unprecedented achievements, among which Cao Xueqin's "Dream of Red Mansions" has the highest artistic achievement and the most far-reaching influence. This novel...