"Jia Sheng" PPT

"Jia Sheng" PPT

Part One: Exciting Introduction

We have learned too many famous sayings by Li Shangyin, such as: The spring silkworms will not run out until they die, and the wax torch will turn to ashes before the tears dry up. (Part 1 of "Two Untitled Poems") There is no colorful phoenix flying in the body, but there is a clear understanding in the heart. (Part 1 of "Two Untitled Poems") Why should I cut two window candles together, but talk about the rainy night in Bashan? ("The Night Rain Sends to the North") How can I be willing to arrive at the clear autumn day, which already brings the setting sun and cicadas? ("Willow") The sunset is infinitely beautiful, but it's almost dusk. ("Leyou Picture")

Jia Sheng’s PPT, part 2: information reading aid

1.About the author

Li Shangyin (approximately 813-approximately 858), whose courtesy name was Yishan and whose nickname was Yusheng, was born in Hanoi, Huaizhou (now Qinyang, Henan). Because he was squeezed out by the Niu-Li factional struggle, he lived in poverty all his life. His poems are good at rhythm and uniqueness, rich in literary grace, colorful in style, full of allusions, and relatively obscure in meaning. His poems in the "Untitled" group are the most famous. There is "Li Yishan Poetry Collection".

2. About the work

This is a poem that references ancient times and satirizes the times. It is intended to use Jia Yi's experience to express the poet's emotion about not being able to appreciate his talent. The poem selects the plot of Emperor Wen of the Han Dynasty summoning Jia Yi and having a late night conversation. It writes that Emperor Wen was unable to recognize and appoint virtuous people; "he did not ask the common people or ghosts and gods" but revealed that the emperor of the late Tang Dynasty took medicine to seek immortality, was ignorant of political affairs, could not appoint virtuous people, and did not care about people's livelihood. The characteristics of stupidity. The poem contains emotion and satire, and the satirical effect is quite good.

Jia Sheng’s PPT, the third part: overall perception

1. Teacher's model reading, students divide the rhythm.

2. Read together and perceive as a whole.

It writes fragments of historical facts about Jia Yi's encounters with Emperor Wen of Han Dynasty, satirizes the present, and expresses his own emotions.

Jia Sheng’s PPT, part 4: Appreciation content

1. "The Proclamation Office seeks talents and visits ministers, and Jia Sheng's talents are even more unmatched." What do the words "seeking" and "visiting" in these two sentences indicate about Emperor Wen's attitude toward Jia Yi? Literally, it is a compliment to Emperor Wen of the Han Dynasty. derogatory?

"Qiu" (seeking) and "visiting" (consulting) seem to warmly praise Emperor Wen's eagerness and sincerity in seeking talents, and his sincere and humble attitude towards talents. It is said that seeking talents is as thirsty and as open-minded as a valley. Praising him for his thirst for talents.

2. The third sentence is intertwined with inheritance and transfer, which is the key point of the whole poem. Cheng, the so-called "midnight front table", vividly depicts Emperor Wen's humbly asking questions and listening attentively to the point of "unknowingly sitting at the table before his knees". However, before "midnight front table", add " The word "poor". Pity, that is, pity. Instead of using words such as "pathetic" and "lamentable" with strong emotional color, we only say "poor". On the one hand, it is to reserve space for the last sentence - a warning; on the other hand, it is also because the "poor" seems to be an understatement here. ", which is more meaningful and thought-provoking than the tense "pathetic" and "lamentable". It seemed to leave room for Emperor Wen, but in fact it contained Leng Jun's ridicule, which seemed light but was actually heavy. The term "virtual" is in vain. Although it is only a slight touch, it makes readers fundamentally doubt the Emperor Wen's "midnight banquet" posture of respecting the virtuous.

3. The last sentence is full of words, closely following the words "poor" and "empty" - not asking about the common people or ghosts and gods. Solemnly seeking talents, humbly asking questions, admiring and admiring them, and even sitting in front of the table in the middle of the night, not to inquire about the way to govern the country and bring peace to the people, but to ask the fundamental question of "asking ghosts and gods"! What kind of seeking talents is this? What does it mean? The poet still only points out but does not explain everything - through the comparison of "asking" and "not asking", readers can draw their own conclusions.

Jia Sheng’s PPT, Part 5: Key Study

1. What is the poet’s attitude towards Emperor Wen of Han’s thirst for talents and having a long talk with Jia Yi in the middle of the night? From this, what kind of writing technique is used in this poem?

The poet's language contains irony, and he uses the writing method of suppressing and exalting first. The first two sentences of the poem are written from the front, without any derogatory meaning. They seem to warmly praise Emperor Wen's thirst for talents, humility, and admiration for Jia Sheng. But after reading the last two sentences, I suddenly realized that it turns out that solemnly seeking talents, humbly asking questions, admiring and admiring, and even having heart-to-heart conversations are not to seek ways to govern the country and bring peace to the people, but to ask the fundamental question of "asking ghosts and gods"! What on earth is this like? What does the pursuit of talents mean to the sage? The irony is pungent and the emotion is deep. This effect cannot be achieved without elegance.

2. Is this poem just to satirize Emperor Wen of Han Dynasty? Does it have any deeper meaning?

This poem is based on the past and satirizes the present. It has many words but endless meaning, and is rich in implications. There is irony and emotion in the poem. On the surface, the poet is satirizing Emperor Wen of the Han Dynasty, but in fact he is using the past to satirize the present. Many emperors in the late Tang Dynasty mostly worshiped Buddhism or believed in Taoism. They took medicine to seek immortality and immortality, without caring about the people's livelihood and suffering, and it was even more difficult to treat virtuous officials with courtesy. At the same time, the poet's pity for Jia Yi is self-pity. It not only expressed satire on the emperor, but also expressed his own underappreciation of talent. In fact, there has always been much discussion about the historical truth of the encounter between Jia Yi and Emperor Wen of Han Dynasty. Jia Yi became an official at a young age and was called a doctor. He was highly valued by Emperor Wen, and a year later he was promoted to Taizhong doctor. Because some of his ideas offended the interests of powerful nobles, and he was fond of discussing state affairs and criticizing current affairs, the powerful ministers Zhou Bo and Guan Ying excluded him from the capital and served as Prince Fu of Changsha. Emperor Wen called him back a few years later. He was later demoted again and died at the age of thirty-three. Not all of his ideas were put into practice during the reign of Emperor Wen. In Sima Qian's "Historical Records", Jia Yi and Qu Yuan were listed together, with the intention of sympathizing with the two for their unappreciated talents, and also integrating his own life experiences and emotions into them. Most of the poems written by people in the Tang Dynasty used the theme of Jia Yi's misfortune to comfort their friends or themselves for their misfortunes. In fact, Jia Yi's ideas were generally implemented. It cannot be said that Emperor Han Wen was not good to him. Wang Anshi said in "Jia Sheng": "Who can think of a king who treats Jia Sheng poorly when he makes plans and implements them at the same time?"

Summary of the poem:

1. Content: In the minds of ordinary feudal literati, the "night meeting of the royal family" is probably a grand event worthy of exaggeration, where the emperor and his ministers meet and get together. However, the poet had a unique insight and grasped the unnoticed matter of "asking ghosts and gods" and used the topic to create a thorough and thought-provoking discussion. Emperor Wen of the Han Dynasty was known as the Mingjun in history, and Jia Yi was a wise man of his generation. Emperor Wen recalled Jia Yi, who was exiled to Changsha, to the capital and met him in the Xuanshi. The emperor and his ministers met until midnight. Although Emperor Wen was very thirsty for talents, it was a pity that what he earnestly inquired about was not the strategy of reassuring the people, but only listened to the affairs of ghosts and gods with an open mind. Although he listened with rapt attention, and even moved his knees to the front seat, what was the use? This is a poem chanting the story of Jia Sheng The focus of the short poem is not on personal gains and losses, but on pointing out that feudal rulers cannot truly value talents and make them play a role in politics. To satirize Emperor Wen is actually to criticize Emperor Tang, and to pity Jia Sheng is actually to pity himself. The poet long cherished the ambition of "wanting to return to heaven and earth", but he encountered party strife and fell into the lower ranks. In his poems, there are often sighs such as "Jia Sheng was weak and shed tears when he was young".

2. Writing characteristics: suppress first and then raise (raise first and then suppress). The poet praises first, actually for the purpose of sarcasm later.

3. Artistic technique: This poem is based on the past and satirizes the present. It is full of words but infinite in meaning, and rich in implications. There is irony and emotion in the poem. On the surface, the poet is satirizing Emperor Wen of the Han Dynasty, but in fact he is using the past to satirize the present. Many emperors in the late Tang Dynasty mostly worshiped Buddhism or believed in Taoism. They took medicine to seek immortality and immortality, without caring about the people's livelihood and suffering, and it was even more difficult to treat virtuous officials with courtesy.

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