"Culture of the Wei, Jin, Southern and Northern Dynasties as a Link between Previous and Next (Part 2)" Separation of political power and national integration PPT courseware

"Culture of the Wei, Jin, Southern and Northern Dynasties as a Link between Previous and Next (Part 2)" Separation of political power and national integration PPT courseware

1. The brilliant art of calligraphy and painting

The evolution of ancient Chinese calligraphy

Seal script--official script--regular script--running script--cursive script

"Books come in exchange for white geese"

"There was a Taoist priest in Shanyin who raised geese. , I feel very happy."

Wang Xizhi's calligraphy, his strokes are as floating as floating clouds and as powerful as a frightening dragon, which has a lot to do with his observation of geese. His official script is called "the best in ancient and modern times" by history books.

Luo Shen Fu Tu

"Ode to the Goddess of Luo" is the work of Cao Zhi, a great writer in the Wei Dynasty during the Three Kingdoms period. This article is rich in rhetoric and is a famous article in the history of Chinese literature. Gu Kaizhi conceived and created the "Luo Shen Fu Tu" volume based on this literary masterpiece. He gave full play to his rich artistic imagination, and through ingenious composition and vivid pen and ink, he depicted the scene of Cao Zhi meeting Mi Fei, the god of Luoshui, on the bank of Luoshui. The Luo Shen depicted in the painting is dignified and beautiful, sometimes wandering on the water, "stepping slightly on the waves"; sometimes floating in the clouds, "as if the moon is covered by light clouds, swaying like snow in the flowing wind", "piancing". "Like a startled giant, graceful like a swimming dragon", full of affection and myriad manners. This extraordinary and beautiful fairy is said to be the incarnation of the lover Zhen who made Cao Zhi restless and longing for her.

Discussion questions:

Why did Buddhism develop greatly during the Wei, Jin, Southern and Northern Dynasties?

2. Brilliant Grotto Art

Qingzhou Stone Carvings

The intricate decorations of the Bodhisattva statues in Zhucheng in the late Northern Dynasties are similar to the complex decorations of the Bodhisattva statues unearthed from the Wanfo Temple in Chengdu, Sichuan in the second year of Tianhe (567) of the Northern Zhou Dynasty. The style is obviously influenced by the original Southern Dynasty statues. The Bodhisattva statue in the second year of Tianhe in Wanfo Temple is different in style from the Zhou statues in the northwest region. It should be the product of the Northern Zhou Dynasty occupying the Sichuan area and the influence of the original local Southern Dynasty statues. The Qingzhou area was also a territory of the Southern Dynasty before the occupation of the Northern Wei Dynasty. The Southern Yan Dynasty was destroyed in the sixth year of Emperor An of the Eastern Jin Dynasty. Qingzhou entered the territory of the Eastern Jin Dynasty and later belonged to the Liu Song Dynasty. The political affiliation will naturally affect the evolution of artistic style. The combination of Qingzhou statues and the modeling features of the finely decorated mattresses may be styles left over from the Southern Dynasties.

Give it a try:

The following works of art were produced farthest away from Zhuge Liang’s life:………( )

A. Preface to Orchid Pavilion B. Pictures of Luo Shen Fu

C. Pictures of Admonitions of Female History D. Buddha Statues of Longmen Grottoes

The origin of the pen: It is said that it was created by Meng Tian, ​​a general of Qin Shihuang. Of course, this is just a legend. In fact, a writing brush from the Warring States Period was unearthed from a Chu tomb in Changsha, Hunan. It was made of bamboo stems, rabbit hair, and had a brush cover. Almost a complete set of the Four Treasures of the Study was unearthed from the Han Tomb at Fenghuang Mountain in Jingzhou, Hubei Province. In addition to using bamboo slips instead of paper, the pen, ink and inkstone are all complete. The pen is also made of bamboo tubes and animal hair, and has a pen cover with an opening in the middle. This is a product of Emperor Wen of the Western Han Dynasty. Some people say that the pen was already used in the Western Zhou Dynasty. The barrel of the writing brush is generally made of bamboo, or more sophisticated ones are made of mottled bamboo. It can also be made of rhinoceros horn, ivory or gold and silver, which are arts and crafts. The animal hair used in the pen tip is divided into two categories: soft (soft) and healthy (hard). The soft hair is mainly made of goat hair; the hard hair is made of rabbit spine hair and weasel tail hair. Soft hair and strong hair are mixed together and are called For both. The tip of the pen is made of a cluster of long hairs in the middle called the front, which is the nib; surrounded by shorter hairs called the side hairs. A good writing brush has the four major advantages of being sharp, neat, round, and strong. Pointed means that the tip of the pen is as sharp as a needle; Qi means that the pen is even and fine; round means that the tip of the pen absorbs water and is full and round; Jian means that it is elastic. There are many types of brushes. When writing large characters, use the appropriate pen. Writing small characters with a large pen and large characters with a small pen will not achieve good results. From the Tang Dynasty to the Song Dynasty, Xuanzhou, Anhui Province was the most famous area for producing writing brushes. The Zihao (old purple rabbit hair) brushes produced were of the highest quality and were as valuable as gold. During the Ming and Qing Dynasties, it was replaced by Hu brushes with strict selection of materials and excellent production produced in Shanlian Town, Huzhou, Zhejiang, and they are still used today.

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"The Culture of Wei, Jin, Southern and Northern Dynasties as a Link between Past and Next (Part 2)" Separation of political power and national integration PPT courseware 8:

"The Culture of the Wei, Jin, Southern and Northern Dynasties as a Link between Past and Next (Part 2)" Separation of Regimes and National Integration PPT Courseware 8 Review and Check: 1. How many years ahead of the world was the value of pi calculated by Zu Chongzhi? A. More than five hundred years B. More than eight hundred years C. Nearly a thousand years D. More than one thousand years 2. Jia Sixie..

"The Culture of Wei, Jin, Southern and Northern Dynasties as a Link between Past and Next (Part 2)" Separation of political power and national integration PPT courseware 7:

"The Culture of the Wei, Jin, Southern and Northern Dynasties as a Link from Past to the Next (Part 2)" Separation of Regimes and National Integration PPT Courseware 7 What achievements were made in the art of calligraphy and painting during the Wei, Jin, Southern and Northern Dynasties? 1. The glorious art of calligraphy and painting. Calligraphy. In the late Eastern Han Dynasty, calligraphy and painting gradually became an art. The Wei and Jin Dynasties...

"The Culture of Wei, Jin, Southern and Northern Dynasties as a Link between Past and Next (Part 2)" Separation of Regimes and National Integration PPT Courseware 6:

"The Culture of the Wei, Jin, Southern and Northern Dynasties as a Link between Past and Next (Part 2)" Separation of Regimes and National Integration PPT Courseware 6 Learning Objectives 1. Understand the basic knowledge of calligraphy, and master the characteristics of Wang Xizhi's calligraphy and his representative works. Gu Kaizhi's paintings; the popularity of Buddhism and "Theory on the Destruction of Gods"; Yungang Grottoes..