"Culture from the Three Kingdoms to the Sui, Tang and Five Dynasties" The ethnic blending of the Three Kingdoms, Jin and Southern and Northern Dynasties and the development of the unified multi-ethnic feudal country in the Sui and Tang Dynasties PPT downl

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"Culture from the Three Kingdoms to the Sui, Tang and Five Dynasties" The ethnic blending of the Three Kingdoms, Jin and Southern and Northern Dynasties and the development of the unified multi-ethnic feudal country in the Sui and Tang Dynasties PPT downl

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"Culture from the Three Kingdoms to the Sui, Tang and Five Dynasties" The ethnic blending of the Three Kingdoms, Jin and Southern and Northern Dynasties and the development of the unified multi-ethnic feudal country in the Sui and Tang Dynasties PPT download

Part One: The Development of Confucianism, Taoism and Buddhism

1. Confucianism: Dong Zhongshu introduced the "Three Strategies of Heaven and Man" and suggested that "all those who are not in the six arts (ritual, music, archery, imperialism, calligraphy, and mathematics) and the art of Confucius must practice their own way and do not let them advance at the same time." He was Emperor Wu. It was adopted and formed a political pattern of "deposing hundreds of schools of thought and respecting Confucianism alone" and established the orthodox ideological orthodoxy of Confucianism for the next 2000 years.

Wei, Jin, Southern and Northern Dynasties: Began to absorb Buddhist and Taoist ideas

2. Taoism: advocates "nourishing Confucianism" and "respecting Taoism"

The Tang Dynasty regarded Li Er as its ancestor. Emperor Gaozong Li Zhi of the Tang Dynasty gave him the title of "Emperor Taishang Xuanyuan" in February of the first year of Qianfeng (AD 666); Emperor Ming of the Tang Dynasty Li Longji gave him the title of "Emperor Taishang Xuanyuan" in the first month of the second year of Tianbao (AD 743). In June of the eighth year of Tianbao's reign (AD 749), he was given the title "Emperor Xuanyuan of the Holy Ancestor Dao". See "Old Tang Book". "The Second Annals of Emperor Gaozong" and "The Fourth Annals of Etiquette". Poem No. 5 of Du Fu of the Tang Dynasty, "I Love to Hear the Slogan of Thieves to Retreat": "In the third year of the Dali calendar, I adjusted the jade candle, Emperor Xuanyuan was the grandson of Sheng Yun." Li Shen of the Tang Dynasty, "Gift to the Mao Immortal Weng" poem: "Recalling the past, my ancestors, the gods and immortals, Emperor Xuanyuan Zhou Zhushi."

3. Buddhism: absorb the essence of Confucianism and gradually become localized

Three religions in one

On the left is the Buddhist Maitreya Temple, on the right is the Taoist Yuanjun Temple, and in the middle is the Confucian scenic spot where Confucius ascended. In a small area, three churches gather together and are cleverly integrated.

Key analysis:

The idea of ​​"unity of three religions" does not require that the "three religions" be combined into "one religion", but rather advocates that Confucianism should be the mainstay and the theories of Buddhism and Taoism should be reconciled and absorbed.

2. Buddhism was popular during the Wei and Jin Dynasties: Buddhism was popular during the Wei and Jin Dynasties, and temples were built extensively, which cost a lot of money. Many laborers were not engaged in production, which seriously affected the interests of the government.

Emperor Wu of Liang established Buddhism as the state religion and became a monk four times. In order to redeem his life, the imperial court donated a total of 50,000 yuan to Tongtai Temple. Because Emperor Wu of Liang worshiped Buddhism, there were more and more temples across the country, more and more monks and nuns were doing nothing, taxes on the people were getting heavier and heavier, and life was getting harder and harder. At that time, there was such a folk song:

Liang Dynasty Buddhist temple full of people

Monks and nuns compete with gods

Who said Buddhism can save the country?

The people cried to the ground and shouted to the sky

Later, Emperor Wu of Liang was placed under house arrest during the "Hou Jing Rebellion" and starved to death. Less than ten years after his death, Chen Baxian deposed the last emperor of the Liang Dynasty, became emperor himself, and changed the name of the country to Chen.

Cultural PPT from the Three Kingdoms to the Sui, Tang and Five Dynasties, Part 2: Literature and Art

Jian'an Literature: Jian'an is the reign name of Emperor Xian of the Han Dynasty. What is generally called Jian'an Literature in literary history refers to the literature from the few years before Jian'an to the last year of Wei Ming Emperor (239). It is actually the literature under the rule of the Cao family. , and the creation was mainly during the Jian'an period. The representative writers are mainly Cao's father and son (Cao Cao, Cao Pi, Cao Zhi), the seven sons of Jian'an (Kong Rong, Chen Lin, Wang Can, Xu Qian, Ruan Xi, Ying Xi, Liu Zhen) and Cai Yan. Jian'an writers used their own straight words to express their ambitions and ambitions to make contributions, setting off the first climax of literati creation in the history of Chinese poetry. Since it was the Jian'an era of Emperor Xian of the Han Dynasty, it was later called Jian'an literature, also known as Jian'an style.

Pastoral poetry in ancient China refers to poetry that sings about pastoral life, mostly based on rural scenery and the labor of farmers, shepherds, fishermen, etc. After Tao Yuanming, the great poet of the Eastern Jin Dynasty, pioneered the pastoral poetry style, pastoral poetry in Tang and Song poetry mainly became poetry describing pastoral life written by literati who lived in seclusion and officials who retired from officialdom and settled in the countryside. Pastoral poetry and frontier fortress poetry are both known as the two major schools of poetry during the Kaiyuan and Tianbao years of the Tang Dynasty. The former is tranquil and simple, while the latter is vigorous and heroic.

Tang Dynasty Literature

Overview:

Poets of the early Tang Dynasty: Chen Ziang, Wang Bo

Pastoral poets: Meng Haoran, Wang Wei;

Frontier Poets: Gao Shi, Cen Can

Poets of the prosperous Tang Dynasty: Li Bai, Du Fu;

Poet of the Mid-Tang Dynasty: Bai Juyi

Poets of the late Tang Dynasty: Li Shangyin, Du Mu.

Cultural PPT from the Three Kingdoms to the Sui, Tang and Five Dynasties, the third part: cultural exchanges between China and foreign countries

1. Cultural exchanges between China and foreign countries with Buddhist seminars as the main form

(1) Exchanges between China and India

① From the late Eastern Han Dynasty to the Northern Dynasties, eminent monks from Central Asia and India came to China one after another and translated a large number of Buddhist scriptures into Chinese.

② Faxian of the Eastern Jin Dynasty set out from Chang'an and traveled through the Western Regions to Tianzhu, where he collected a large number of Sanskrit classics.

③The eminent monk Xuanzang of the Tang Dynasty also traveled westward to Tianzhu to obtain Buddhist scriptures in the early years of Zhenguan.

(2) Exchanges between China and Japan, Silla and other countries

① Japan, Silla and other countries often sent learned monks to Chang'an to seek Dharma. Japan's Kukai was a very famous eminent monk.

②The eminent monk Jianzhen of the Tang Dynasty traveled eastward, went through many hardships and finally reached Japan, where he taught Buddhism. 2. Sino-foreign cultural exchanges mainly in the form of envoys, businessmen, and overseas students

Cultural PPT from the Three Kingdoms to the Sui, Tang and Five Dynasties, Part 4: Classroom Exercises

1. "Essentials of Qi Min" written by Jia Sixie of the Northern Dynasties is the earliest and most complete extant agricultural work in my country. The agricultural thought reflected in "Essentials of Qi Min" "When the weather is favorable and the land is favorable, the effort will be less but the success will be greater. If one's emotions go against the grain, one will gain nothing from hard work" is ()

A. Adapt measures to local conditions

B. Diversification

C. commodity production

D. Emphasis on agriculture and suppression of commerce

2. During the Sui and Tang Dynasties, Chinese culture added a distinctive multi-ethnic color, mainly due to ()

A. Han culture is imitated and absorbed by various ethnic minorities B. The cultures of various ethnic minorities are diverse and have their own characteristics.

C. All ethnic groups have close exchanges and cultural exchanges and integration D. The national spirit that inherits the traditional culture of past dynasties

Analysis: Chinese culture is multi-ethnic and is a cultural blend based on close exchanges between people of all ethnic groups.

3. Taoism emerged in the late Eastern Han Dynasty and became a tool of the Yellow Turban Rebellion. Ge Hong, a representative figure of Taoism in the Eastern Jin Dynasty, believed that Zhang Jiao, the leader of the Yellow Turban Army, "dazzled the common people, gathered fools, recruited traitors, and called them together to rebel"; he also emphasized that "Taoists are the foundation of Confucianism; Confucianists are the end of Taoism." , Those who believe in Taoism and seek immortality should "be based on loyalty, filial piety, obedience, benevolence and trust." Ge Hong’s proposition ()

A. Reflects the trend of "three religions in one" B. Conducive to the harmonious development of society

C. Reflects the demands of the lower classes D. Shaken the dominance of Confucianism

Analysis: The material only talks about Confucianism and Taoism, but does not mention Buddhism, so it has nothing to do with the "unity of the three religions". Item A is wrong. Ge Hong opposed Zhang Jiao and emphasized "loyalty, filial piety and obedience, benevolence and trustworthiness", which is beneficial to the harmonious development of society. Item B is correct; it can be seen from the material information that Ge Hong's ideas are beneficial to the ruling class and conducive to stabilizing rule. Item C is wrong; item D cannot be reflected in the material and is excluded.

Answer: B

Keywords: Free download of PPT courseware for the first volume of the unified version of the Chinese and Foreign History Outline, PPT download of the culture from the Three Kingdoms to the Sui, Tang and Five Dynasties, PPT download of the ethnic blending of the Three Kingdoms, Two Jins, Southern and Northern Dynasties and the development of the unified multi-ethnic feudal country in the Sui and Tang Dynasties, .PPT format;

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"The Culture of the Three Kingdoms to the Sui, Tang and Five Dynasties" The ethnic blending of the Three Kingdoms, Jin and Southern and Northern Dynasties and the development of the unified multi-ethnic feudal country in the Sui and Tang Dynasties Like a mirror. Always brush...

"Culture from the Three Kingdoms to the Sui, Tang and Five Dynasties" PPT courseware:

"Culture from the Three Kingdoms to the Sui, Tang and Five Dynasties" The ethnic integration of the Three Kingdoms, Jin, Southern and Northern Dynasties and the development of the unified multi-ethnic feudal country in the Sui and Tang Dynasties PPT courseware content Part 1: Expressing the development of Confucianism, Taoism and Buddhism 1. Challenges and new developments faced by Confucianism during the Wei, Jin, Southern and Northern Dynasties Development: ⑴..

"Culture from the Three Kingdoms to the Sui, Tang and Five Dynasties" PPT:

"Culture from the Three Kingdoms to the Sui, Tang and Five Dynasties" The blending of ethnic groups in the Three Kingdoms, Jin and Southern and Northern Dynasties and the development of the unified multi-ethnic feudal country in the Sui and Tang Dynasties PPT Part One Content: The development of three religions in parallel, Confucianism, Taoism and Buddhism. Confucianism has become prosperous under the promotion of rulers; The Tang Dynasty ruled...

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