Chinese traditional culture shadow puppet PPT download

This is a set of Chinese traditional culture shadow puppet PPT, with a total of 24 pictures;

The home page of the PPT template uses ink landscape and shadow puppet PPT background images. On the left side, the colorful classical calligraphy word "Shadow Puppet" is placed as the PPT title text. The interface is classical and elegant, matching the Chinese traditional culture PPT theme.

The content page of the PowerPoint template introduces Chinese shadow puppetry, as well as the history of shadow puppetry, shadow puppetry schools, shadow puppetry inheritance and development, etc. The content page is also decorated with a large number of PPT illustrations of shadow puppet performance scenes.

Introduction to the content of Chinese shadow puppet PPT:

Introduction to shadow puppetry

Shadow puppetry, also known as "shadow play" or "lantern shadow play", is a kind of folk drama in which silhouettes of characters made of animal skins or cardboard are used to perform stories. During the performance, the artists controlled the puppets behind a white curtain while telling stories using local popular tunes, accompanied by percussion instruments and string instruments, giving it a strong local flavor. Its popularity range is extremely wide, and various shadow puppet shows are formed due to the different voices and tunes performed in different places.

Shadow puppetry is an ancient traditional Chinese folk art. Old Beijingers call it "donkey shadow puppetry". According to historical records, shadow puppetry began in the Warring States Period, flourished in the Han Dynasty, flourished in the Song Dynasty, and spread to West Asia and Europe during the Yuan Dynasty. It can be said that it has a long history and a long history.

In 2011, Chinese shadow puppetry was selected into the Representative List of Human Intangible Cultural Heritage.

Shadow puppet history

Shadow puppetry has a history of more than 2,000 years since it was recorded in writing. Mrs. Li, the beloved concubine of Emperor Wu of the Han Dynasty, died of illness. Emperor Wu missed her deeply and was in a daze, and ignored the government affairs all day long. Minister Li Shaoweng went out one day and met a child playing with a rag doll on the road. The shadow was reflected on the ground vividly. With a thought in his mind, Li Shaoweng cut an image of Mrs. Li out of cotton, painted it with colors, and attached wooden poles to his hands and feet. At night, the emperor was surrounded by square curtains, lit candles, and respectfully invited the emperor to sit in the tent and watch. Emperor Wu was so happy after seeing Long Yan that he couldn't put it down. This love story recorded in the "Book of Han" is considered to be the earliest origin of shadow puppetry.

Since the Yuan Dynasty in the 13th century, Chinese shadow puppet art has been introduced to Persia (Iran), Arabia, Turkey, Siam (Thailand), Myanmar, the Malay Archipelago, Japan, as well as Britain, France, Germany, Italy, Russia and other Asian and European countries.

In the third year of Wuchen's reign (1508), the third year of Emperor Wuzong's reign in the Ming Dynasty (1508), a hundred opera conferences were held in Beijing, and shadow puppetry participated in the performance. It is also said that shadow puppetry was first introduced to Zhuozhou, Hebei from Lanzhou and Huating in the mid-Ming Dynasty, and then spread to rural areas in western Beijing and northern suburbs, and then entered the city and formed two factions in the east and west cities.

From the entry of the Qing Dynasty to the end of the Qing Dynasty and the beginning of the Republic of China, the art of Chinese shadow puppetry developed to its heyday. At that time, many wealthy and powerful families in the officialdom, noble families, and gentry were proud to hire famous masters to engrave their portraits, stock up on exquisitely crafted photo boxes, and maintain private photo classes. In rural towns and villages, shadow puppet troupes of all sizes abound. It is not surprising that there are twenty or thirty shadow puppet troupes in one town or city. Even the play (series) lasts all night long or lasts for more than ten and a half months. In a temple fair, several shadow troupes can set up a stage to compete and sing, which is very lively and one can imagine its grandeur.

Beijing shadow puppets were very popular during the Qing Dynasty. In addition to being popular among farmers and citizens, it also entered the palace. During the Kangxi period, Prince Li's Mansion had eight officials with five-grade salaries who were in charge of movies. During the Jiaqing period, shadow puppet troupes are also said to come to the house to perform on festive occasions such as New Year holidays. At that time, the Beijing shadow theater troupe performed puppets during the day and sang shadow operas in the hall at night. Many Peking opera actors also participated in the shadow theater performances.

In the late Qing Dynasty, some local officials were afraid of crowds gathering in shadow puppet theaters at night, so they banned shadow puppet performances and even arrested shadow puppet artists. Before and after the Japanese invasion, due to social unrest and successive wars, the people were in dire straits. As a result, the shadow puppet industry, which was once flourishing, withered away and failed to recover.

On May 20, 2006, it was included in the first batch of national intangible cultural heritage lists with the approval of the State Council. On June 8, 2007, Hubei Province Yunmeng Shadow Puppet Art Troupe and Shandong Province Tai'an City Fan Zheng'an Shadow Puppet Studio won the first Cultural Heritage Day Award issued by the Ministry of Culture.

On November 27, 2011, UNESCO, headquartered in Paris, announced that the 6th session of the Intergovernmental Committee for the Protection of Intangible Cultural Heritage being held in Bali officially decided to include Chinese shadow puppetry on the "Representative List of the Intangible Cultural Heritage of Humanity" .

shadow play genre

Since shadow play spreads over a wide area in China, different schools have been formed during the long-term evolution of different regions. Common ones include Sichuan shadow play, Hubei shadow play, Hunan shadow play, Beijing shadow play, Tangshan shadow play, Shandong shadow play, Shanxi shadow play, Qinghai shadow play, and Ningxia shadow play. , Shaanxi shadow puppets, as well as northern Sichuan shadow puppets, Longdong shadow puppets and other local shadow puppets with different styles. The musical singing styles and rhythms of shadow puppets from various places have absorbed the essence of their respective local operas, folk arts, folk songs, and music systems, thus forming many colorful schools. There are Mianyang shadow puppet show, Tangshan shadow puppet show, Jinan shadow puppet show, Xiaoyi shadow puppet show, Fuzhou shadow puppet show, Haining shadow puppet show, Lufeng shadow puppet show, Huaxian shadow puppet show, Huayin old tune, A Gong tune, Xianban tune, Huanxian Daoqing shadow puppet show, Ling shadow puppet show, etc. Source shadow puppetry and more.

Haining Shadow Puppetry was introduced from the Southern Song Dynasty. It was integrated with the local tunes and absorbed the classical tune, changing the northern tune to the southern tune, forming ancient music based on the two major tunes of "Yiyang tune" and "Haiyan tune";

Hubei shadow puppets are mainly divided into two categories: "Menshenpu" (large shadow puppets) and "Weipu" (small shadow puppets). Their shape and style are similar to those of Shaanxi and Henan shadow puppets. They are the result of the fusion of folk cultural exchanges between Shaanxi, Henan and Hubei.

Taishan Shadow Puppetry is created by Mr. Fan Zheng'an, a master of the unique "Ten Bu Xian" skills, who has a unique mission to inherit the national heritage and bring the story of Taishan Shigandang to life. Taishan Shadow Puppetry officially entered primary school classrooms as a subject in 2008.

The creators of Longdong shadow puppets are good at using exaggeration and deformation. The characters have big heads and small bodies, with the body narrow at the top and wide at the bottom, with arms above the knees. Facial images are generally from the front side, except for some clowns, ghosts and the like, which are divided into three-quarters half profiles.

Shaanxi shadow puppets retain various traces of folk storytelling and are the predecessors of various local operas in modern Shaanxi. Shaanxi shadow puppets are simple and decorative in shape, while also possessing artistic features of exquisite craftsmanship.

Shanxi shadow puppets are rigorous and standardized, and their artistic style and craftsmanship are similar to those of Shaanxi shadow puppets. In addition to dotted lines and solid lines, the use of dotted and solid lines, painted lines and dark lines in shadow puppets is more unique.

After hundreds of years of development and progress, Beijing Western-style shadow puppets have inherited and retained the essence and characteristics of Shanshan shadow puppets, Henan Jiangsu and Zhejiang shadow puppets, and Luanzhou Northeast shadow puppets, etc., forming Beijing shadow puppets with an urban Beijing flavor, emphasizing refinement, performance, and The main characteristics of his art are the richness of change and the emphasis on perspective effects.

Shadow puppetry was introduced to Cheng'an earlier. Shadow puppetry may have been introduced into Cheng'an during the Song Dynasty. During the Qianlong period of the Qing Dynasty, the story of the fourth generation master of Dingzhuang shadow puppetry, Mr. Ning, the "living pig Bajie", and the "Fighting God Han at the Beixiang Temple Fair" is still talked about today.

The inheritance and development of shadow puppetry

Traditional shadow puppetry has inevitable limitations in many aspects. This is also the biggest obstacle for it to adapt to today's fast-paced society.

The meticulous craftsmanship and ingenious colors and shapes of shadow puppets have fascinated countless artists, but they have brought extremely high difficulty to their production. The production of a shadow figure includes more than ten processes such as leather making, tracing, engraving and coloring. These complex processes are enough to take a craftsman several weeks, not including the failure due to any small mistakes during this period. Modification, the possibility of wasted efforts.

The preservation of the finished product is also a difficult problem. Long-term exposure to the sun will cause the paint to fade, and changes in temperature and humidity will also cause the shadow puppets to deform. This is undoubtedly a fatal weakness for an industrialized society that emphasizes mass production.

For a long time in the past, shadow puppets basically appeared in the form of performances for the purpose of entertainment. In today's era of diversified entertainment life, the charm of shadow puppetry is gradually dimming, and it can only be seen on these special occasions (such as Laoshe Teahouse in Beijing and some theaters that interpret history)

With the progress of society, people's material living standards are constantly improving, and their aesthetic level is also gradually improving. Therefore, people use more exquisite and delicate carving techniques to express the characters and characters in previous shadow puppets.

The craftsmanship of shadow puppet production is slowly transitioning from the former focus on entertainment and supplemented by appreciation to the current focus on appreciation and supplemented by entertainment. In the future, shadow puppets will emphasize and highlight their static artistic value, showing their unique charm through the layout of the scene, the expressions of the characters, and the rich colors.

World celebrities such as Goethe in the 18th century and Chaplin later spoke highly of China's shadow puppet art. It can be said that shadow puppetry is a folk art with a long history and wide spread in China. This art form originated in China has fascinated many foreign theater fans, and people affectionately call it "Chinese Shadow Lantern".

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