"The Drunkard's Pavilion" PPT courseware 12

Description

"The Drunkard's Pavilion" PPT courseware 12

About the Author

Ouyang Xiu (1007-1072), writer and historian of the Northern Song Dynasty. His courtesy name was Uncle Yong, his nickname was Drunkard, and in his later years he was also known as Liuyi Jushi, with the posthumous title Wenzhong. He was a native of Yongfeng, Jiangxi. His father died when he was young, and his family was poor. His mother taught him how to read by drawing on the ground with a stick. At the age of 24, he passed the Jinshi examination and served successively in local and imperial courts, ranging from deputy privy envoy to deputy prime minister. In his early years, he supported Fan Zhongyan and demanded political reforms. Ouyang Xiu led the poetry and literary innovation movement in the Northern Song Dynasty. He vigorously advocated ancient prose and advocated that articles should "clear the way" and "application". The famous ancient writers Sansu and his son, Zeng Gong, Wang Anshi, etc. all came from his disciples.

The Eight Great Masters of Tang and Song Dynasties are the collective name of the eight major prose writers in the Tang and Song Dynasties, namely Han Yu and Liu Zongyuan in the Tang Dynasty, and Su Xun, Su Shi, Su Che, Ouyang Xiu, Wang Anshi, and Zeng Gong in the Song Dynasty.

writing background

In the fifth year of Qingli reign (1045) of Emperor Renzong of the Song Dynasty, Fan Zhongyan, Fu Bi, Du Yan, Han Qi and others failed to implement the "Qingli New Deal" and were demoted one after another. Ouyang Xiu wrote a letter to defend them and was demoted as the magistrate of Chuzhou. This travel note was written in the second year after Ouyang Xiu took office in Chuzhou. It shows the author's broad-minded feelings of being at peace with the situation and enjoying himself with the people.

Polysemy

The clouds have returned and the caves have gathered together.

The prefect returns and the guests return home

People from Weisi, who can I return to?

The joy of mountains and rivers

It is known that people travel with the governor and enjoy themselves.

I don’t know that the prefect’s happiness is also “taking pleasure in”; “happy”

The one who is beautiful yet profound, beautiful

The trees are beautiful and lush, lush and luxuriant

Parts of speech conjugation

Who gives the name? Noun as verb, naming, denomination

But I don’t know how happy the governor is. (Usage of meaning) "take pleasure in..."

Six or Seven Miles of Mountain Walk, noun as adverbial, along the mountain road

Mixed and former Chen (position) noun as adverbial, in front

There is a pavilion with wings over the spring. The noun is used as an adverbial, like a bird spreading its wings.

He calls himself a drunkard. The noun is used as a verb to call him or her by another name.

special sentence pattern

Judgment Sentence "...,...ye" is a sign of judgment sentence pattern

Chu is surrounded by mountains.

The changes in darkness and brightness are the morning and evening in the mountains.

The one who looks awe-inspiring yet profound is Langya.

Inverted sentences

As for the loser, he sings on the road, and the traveler rests on the tree.

The prefect and the guests come here to drink. The adverbial is postpositioned.

Language appreciation

This article has a unique rhythm and loops back and forth. The whole article uses 21 characters "ye", which creates a unique artistic charm, makes the writing appear free and unrestrained, enhances the rhythm of the tone and the euphemistic lyrical atmosphere, and also makes the author feel happy. You can express yourself to your heart's content. Please find these 21 "ye" characters in the text and summarize their usage.

In what order did you write the scenes in this article?

(l) The environment of the writing booth: from far to near

(2) Write about morning and evening in the mountains: from morning to night

(3) Writing about the four seasons in the mountains: from spring to winter

(4) Writing banquet scenes: from outside to inside

summary

This article takes "joy" as the main line and uses the unity of "drunk" and "joy" to describe the author's thought of "having fun with the people". The article describes a natural combination of scenery and lyricism, with feelings arising from the scenery and a blend of scenes.

The drunkard's interest is not in wine: The original meaning is that the drunkard's interest is not in wine. Nowadays, it is often used as a metaphor that the original intention is not in this, but in other aspects.

Gongchoujiao: The original meaning is that the wine glasses and wine chips are intertwined. Nowadays, it mostly describes the lively scene where many people gather to drink (often with a derogatory meaning)

When the water falls and the rocks come out, the original meaning is that when the water falls, the rocks at the bottom of the water will be exposed. Now it is often used as a metaphor for the truth of the matter to be completely revealed.

Peaks and twists and turns: overlapping peaks and ridges, winding mountain roads. It is a metaphor for new turning points after things have experienced setbacks and failures. Also refers to a turning point.

Judging from Ouyang Xiu's "The Drunkard's Pavilion" and Fan Zhongyan's "The Yueyang Tower", what do the two people's thoughts have in common?

The same: they both have a positive ideological realm. Both of them have been demoted politically but "don't feel sorry for themselves". They both have the idea of ​​"caring about the people" and "having fun with the people", and have the mentality of putting hardship before enjoyment. The spirit of staying behind. Fan Zhongyan in "The Story of Yueyang Tower" puts forward the ideal of life of "worrying about the world first, and enjoying the happiness after the world". In "The Drunken Old Pavilion", Ouyang Xiu expresses the joy of enjoying the mountains and rivers and sharing with the people. Happy thoughts and feelings.

Difference: The author of "The Story of Yueyang Tower" "does not feel sorry for himself", and uses this to persuade his friends and encourage himself, showing a lofty spiritual realm. The author of "The Story of the Drunken Old Man's Pavilion" has the sentiment of expressing his love for the mountains and rivers to relieve the depression of living in exile.

Yueyang Tower and Drunkard Pavilion comparison

Fan Zhongyan's "Yueyang Tower" and Ouyang Xiu's "The Drunkard's Pavilion" were both works written by them after they were demoted for advocating the reform of political discipline. They were both used to express their desire to help the world and calm the people despite being demoted. Famous essays on the theme. Although these two excellent works are similar in terms of theme and conception, they are completely different in terms of structural techniques, expression methods, language use, etc. It can be said that they have the same approach but achieve the same goal.

Differences in structural techniques. These two excellent works are not long, about 400 words, but they contain such profound thoughts, which shows their superb structural skills. "Yueyang Tower" contains a concise narrative at the beginning, vivid descriptions of scenes in the middle, and incisive reasoning at the end. The author skillfully integrates these three, thus making the context structure rigorous but not sluggish, and the organization clear but turbulent. The writing is full of twists and turns, and the winding paths lead to seclusion, which is fascinating. Sometimes I clearly want to describe it heartily, but I stop abruptly and find another way. Sometimes it seems that the meaning of the text has been exhausted, but there are twists and turns. Although what is written eloquently is not the main point, nor is it idle writing, what the Eight Classics of Zheng'er says seems to be correct, but it is denied. However, "The Drunkard's Pavilion" uses the word "乐" to highlight the entire story, which is closely linked and well-conceived. The opening chapter uses a long lens to zoom in layer by layer. After pointing out the drunken old man's pavilion, he also derived the joy of landscape from the name of the drunken old man's pavilion. The author also skillfully used allusions and foreshadowing. Reading the whole article carefully, the word "Zui" may be hidden or visible, linking the front and back; the word "乐" may be bright or dark, covering the front and back. In short, the whole article is connected with "乐" and "Zui", without spreading or branching. , completed in one go, forming a rigorous and complete artistic framework.

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"The Drunkard's Pavilion" PPT free courseware download:

Free PPT courseware download of "The Drunkard's Pavilion" Part One: Learning Objectives 1. Accumulate classical Chinese vocabulary. (Key points) 2. Grasp the content of the article as a whole and understand the structural characteristics of the whole article with music as a clue. (Key points) 3. Understand the author’s thoughts on having fun with the people in the article..

"The Drunkard's Pavilion" PPT free download:

"The Drunkard's Pavilion" PPT free download Part 1: Introduction of new lessons The benevolent enjoy the mountains, the wise enjoy the water. The ancient Chinese have always had a feeling of mountains and rivers. They express their feelings for the landscape and express their aspirations. The landscape is also famous for its people and famous for its writing. The Drunkard Pavilion in Langya Mountain in Chuzhou, Anhui...

"The Drunkard's Pavilion" PPT free courseware:

"The Drunken Old Man's Pavilion" PPT free courseware Part 1: New lesson introduction Ouyang Xiu: courtesy name Yongshu, also known as Drunken Old Man, also known as Liuyi Jushi, posthumous title Wenzhong, known as Ouyang Wenzhong Gong in the world, a writer and historian in the Northern Song Dynasty. His father died when he was four years old, and his family was poor. His mother taught him how to read by drawing on the ground with a stick. twenty four..

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Update Time: 2024-10-06

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