"Our National Essence" Unique Chinese Culture PPT Courseware

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"Our National Essence" Unique Chinese Culture PPT Courseware

Chinese culture is extensive, profound and has a long history. For thousands of years, it has been deeply rooted in the land of China with its unique national style. It is still loved by the Chinese people and has gradually spread to the world.

Peking Opera

Peking Opera is one of the opera types formed in Beijing and has a history of nearly 200 years. It is based on Huizhou opera and Han opera, and gradually evolved by absorbing the advantages and specialties of Kunqu opera, Qinqiang opera and other operas.

Peking Opera music belongs to the banqiang style, and the main singing systems include Erhuang and Xipi, so Peking Opera is also called "Pihuang". Commonly used singing tunes in Peking Opera include Nan Bangzi, Siping Diao, Gaobazi and Chuangzi. There are about 1,000 traditional Peking Opera repertoires, and about 300 to 400 are frequently performed. In addition to those from Hui Opera, Han Opera, Kun Opera and Qin Opera, a considerable number have also been written by Peking Opera artists and folk writers. Peking Opera is better at expressing political and military struggles with historical themes, and most of its stories are taken from historical novels and novels. There are both complete plays and a large number of excerpts, and there are also some plays with scripts.

The professions of Peking Opera roles are relatively strict. In the early days, they were divided into seven roles: Sheng, Dan, Jing, Mo, Chou, Wu Xing, and Popular (dragon actor). Later, they were classified into the four major roles of Sheng, Dan, Jing, and Chou. There is a detailed further division of labor. "Sheng" is a general term for male characters other than big-faced and clowns, and is also divided into Laosheng (Xu Sheng), Xiaosheng, Wusheng and Wansheng. "Dan" is the general term for female roles, which is divided into Zhengdan, Huadan, Guimen Dan, Wudan, Laodan, Caidan (�Dan) and Daomadan. "Jing", commonly known as Hua Lian, mostly plays male characters with unique personalities, qualities or looks. They use facial makeup, have a loud voice and a rough style. "Jing" is divided into big-faced people who mainly work at work, such as Bao Zheng; and Erhualian people who mainly work at work, such as Cao Cao. "Ugly" plays a comedic role. Because he puts a small piece of white powder on the bridge of his nose, he is commonly known as a little painted face.

Characteristics of Chinese Painting

Modeling characteristics and expression methods Chinese painting embodies the traditional philosophical concepts and aesthetics of the Chinese nation in terms of observation, image creation and expression techniques. In the observation and understanding of objective things, it adopts the method of seeing the big from the small and seeing the big from the small. And observe and understand objective things during activities, and even directly participate in things, instead of being external or limited to a fixed point. It permeates people's social consciousness, so that painting has the cognitive function of "thousands of years of loneliness, and pictures can be learned from it", and it also plays the educational role of "evil to warn the world, and good to show the future". Even purely natural objective objects such as mountains, rivers, flowers and birds are consciously connected with people's social consciousness and aesthetic taste in the process of observation, understanding and expression. They express emotions through scenery and express aspirations through objects, which embodies the Chinese people's "unity of nature and man". " concept.

Wang Xizhi

Wang Xizhi's representative works include: "Huang Ting Jing" in regular script, "Le Yi Lun", "Seventeen Tie" in cursive script, "Auntie Tie" in running script, "Quick Snow and Clear Tie", "Sang Luan Tie", "Preface to the Lanting Collection", "Chu Ting". Monthly Posts" etc. Among them, the "Preface to the Lanting Collection" is admired by calligraphers of all ages and is known as "the best running script in the world". Wang was also good at Li, Cao, Kai, Xing and other styles. He studied the styles carefully, imitated them with his heart and hands, picked up the strengths of others, prepared various styles, and cultivated them in one furnace. He got rid of the writing style of Han and Wei Dynasties and became his own style with far-reaching influence. His calligraphy is gentle and natural, his writing style is euphemistic and implicit, and he is beautiful and strong. Later generations commented: "Flying like clouds, as powerful as a frightening dragon", "Dragon leaping over the sky gate, tiger crouching in the Phoenix Pavilion", "Nature is natural, and the gods are abundant. ”, and was hailed as the “Sage of Calligraphy” by later generations.

Four Treasures of the Study

The tools and materials of Chinese calligraphy are basically composed of pen, ink, paper and inkstone. People usually call them the "Four Treasures of the Study", which roughly means that they are the four must-have treasures in a scholar's study. Because basically all ancient Chinese literati could write, draw, or both, and they could not do without these four treasures: pen, ink, paper, and inkstone.

The name "study" originated from the Northern and Southern Dynasties period in Chinese history (AD 420--589). It specifically refers to the study room of scholars. Pens, ink, paper, and inkstones were used in the study room, and it was known as "the study room". "Four Treasures of the Study". In addition to the Four Treasures, the writing utensils include pen holders, pen holders, ink beds, ink cartridges, armrests, pen washers, bookweights, water bottles, water spoons, inkstone drops, inkstone boxes, ink pads, printing boxes, cutters, stamps, Scrolls, etc. are also essential items in the study. Most of the Four Treasures of the Study collected by the Palace Museum were made by famous masters of the Qing Dynasty and used by the royal family. Their exquisite materials and exquisite craftsmanship represent the development level of our country’s study utensils over thousands of years and the creative wisdom and artistic talent of the skilled craftsmen. They are important study utensils. The treasure in.

The "Four Treasures of the Study" are not only stationery items with strong practical value, but also works of art that integrate painting, calligraphy, sculpture, decoration, etc. In 2007, the Institute of History of Science and Technology of the Chinese Academy of Sciences and the Chinese Four Treasures of the Study Association declared pen, ink, paper and inkstone as world-class "intangible cultural heritage" to UNESCO.

Among all kinds of pen products, writing brushes can be regarded as a category unique to China. The traditional writing brush is not only a necessary study tool for the ancients, but also has a unique charm in expressing the special charm of Chinese calligraphy and painting. However, because brushes are fragile and difficult to preserve, there are very few ancient brushes that have been handed down to this day.

Traditional Chinese Medicine

Traditional Chinese medicine originated from primitive society. The theory of traditional Chinese medicine in the Spring and Autumn Period and the Warring States Period has been basically formed. Anatomy and medical divisions have appeared. The "four diagnoses" have been adopted. Treatment methods include meteorite, acupuncture, decoction, moxibustion, Daoyin, Buqi, Zhuyou, etc. . During the Western Han Dynasty, yin and yang and the five elements began to be used to explain human physiology, and "medical workers", gold needles, copper keys, etc. appeared. The famous medical scientist Zhang Zhongjing appeared in the Eastern Han Dynasty. He had already understood the "Eight Cardinal Guidelines" (yin and yang, exterior and interior, deficiency and excess, cold and heat) and summarized the "Eight Methods". Hua Tuo was world-famous for his proficiency in surgery and anesthesia, and he also created the "Wu Qin Xi" fitness gymnastics. In the Tang Dynasty, Sun Simiao summarized the theories and experiences of his predecessors, collected more than 5,000 prescriptions, and used syndrome differentiation for treatment. He was respected as the "King of Medicine" because of his highest medical ethics. After the Tang Dynasty, a large number of Chinese medical theories and works were spread to Korea, Japan, Central Asia, West Asia and other places. During the Song Dynasty, the Song government established Hanlin Medical College, which nearly completed its medical sub-disciplines, unified the acupuncture point disorders caused by the transmission and copying of Chinese acupuncture, and published the "Illustrated Classics". After the Jin and Yuan Dynasties, traditional Chinese medicine began to decline. After the Ming and Qing Dynasties, the Shifang School of febrile diseases emerged, gradually replacing the Jingfang School of Chinese medicine. Li Shizhen's Compendium of Materia Medica, written in the late Ming Dynasty, marked the decline of traditional Chinese medicine pharmacology. During the same period, Mongolian and Tibetan medicine were influenced by traditional Chinese medicine. Eastern medicine has also been greatly developed in Korea. For example, Xu Jun wrote the "Dongyi Bojian".

Since the late Qing Dynasty, China has been invaded by Western powers and its national destiny has declined. At the same time, the influx of modern medicine (Western medicine) has seriously impacted the development of traditional Chinese medicine. There are many people in China who advocate medical modernization, and traditional Chinese medicine is facing huge challenges. People began to use the thinking model of the Western medical system to examine it, and traditional Chinese medicine fell into a debate about its survival and elimination. The same is true for Japanese Kampo medicine and South Korean Oriental medicine, which both belong to the Chinese medical system. Since the SARS epidemic in 2003, traditional Chinese medicine has begun to show signs of recovery.

During the Cultural Revolution, traditional Chinese medicine developed with the support of the policies of the Communist Party of China as a medical example of "serving the past for the present". In modern times, traditional Chinese medicine is still one of the common methods of treating diseases in China.

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"Our National Essence" Unique Chinese Culture PPT Courseware 3:

"Our National Essence" Unique Chinese Culture PPT Courseware 3 What is the National Essence? The quintessence of Chinese culture refers to the most representative and unique cultural heritage of the Chinese nation that has been welcomed by people of many eras. Why is the quintessence of the country called the quintessence of the country? because..

"Our National Essence" Unique Chinese Culture PPT Courseware 2:

"Our National Essence" Unique Chinese Culture PPT Courseware 2 Mei Lanfang, whose name was Lan and whose courtesy name was Wanhua, was born in Taizhou, Jiangsu Province on October 22, 1894, in a pear garden family in Beijing. He is a master of opera art known to people all over the world and the most outstanding Peking Opera performer in my country..

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Update Time: 2024-06-19

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