"Eternal Rebirth" PPT courseware 2

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"Eternal Rebirth" PPT courseware 2

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"Eternal Rebirth" PPT courseware 2

Introduction to Wu Guanzhong

Wu Guanzhong, whose pen name is Cha, was born in Yixing County, Jiangsu Province in 1919. Graduated from the National Hangzhou Art College in 1942. In 1946, he was admitted to study abroad at public expense, and the following year he went to the Ecole Nationale Supérieure des Beaux-Arts in Paris, France, for further study. He returned to China in 1950 and taught successively at the Central Academy of Fine Arts, the Department of Architecture of Tsinghua University and the Central Academy of Arts and Crafts.

[Wu Guanzhong] is a master of Chinese and Western art. For decades, he has been exploring the combination of Chinese and Western painting arts. Most of his earliest works were based on the water towns in the south of the Yangtze River. The pictures are full of poetry. He paid special attention to the combination and matching of points, lines and surfaces. In recent years, his painting style has changed. He often uses thick lines in a batch of works that reflect the Loess Plateau, creating a unique artistic conception of his own. Recently, he received the honor of "France's highest honor of culture and art". There is an autobiography "I owe the painting".

New words and new words

Bian (biàn): 1. impatient. 2. surname.

Brahma (fàn): 1. About ancient India.

2. About Buddhism.

Yu (yú): 1. corner. 2. Near the edge.

�(fǎng): 1. bright. 2. Start.

Magnificent: describes the beauty and variety of things. Vast, numerous, rich.

Xiangyu: that is, "crying to the corner", crying facing the corner. Later, it was mostly described as lonely, desperate, and very sad.

Ignorant and ill-informed: poor knowledge and limited knowledge.

Dregs: Originally refers to coarse food such as distiller's grains and bean dregs, but now it is a metaphor for something coarse and worthless.

Curiosity: Searching for strange things.

Screening: Selection through elimination.

Read the text and think carefully

1. What does “eternal newness” mean?

2. What is the purpose of writing an article?

3. What is the point of view of this article?

4. What is the purpose of citing two typical examples of Monet and Van Gogh in the article?

Reading Thoughts:

1. The article mentions Bian He’s jade, Monet, and Van Gogh. What do they have in common? Give their examples to prove___________.

Common features: They were not known to people at first.

Time is the touchstone of artistic treasures.

2. The purpose of citing Concubine Yang, Grandma Liu and Lin Daiyu is to illustrate ___________.

Aesthetics are accepted and changed through human infection and communication.

3. In the author’s opinion, how can art be “eternally reborn”?

Anti-tradition, anti-anti-tradition, anti-anti-anti-tradition;

Selected reading:

Read the last paragraph carefully and answer the questions:

1. What kind of people do “the filial son who preserves tradition”, “the prodigal son who blindly worships foreigners” and “the prodigal son who turns around” refer to?

A. Only know about inheritance and do not seek development.

B. Only advocating foreign affairs without inheritance and development

C. Take root in tradition and learn the essence of the West

2. What kind of people does the author think can revitalize traditional Chinese art forever? (What point of view does this paragraph convey?)

3. Divide this paragraph into layers and explain the meaning of the layers.

The last paragraph can be divided into two levels:

The first level: criticizing the pursuit of artistic novelty, saying that this is "definitely not an artistic creation."

The second level: Discuss what kind of people should inherit and develop Chinese tradition.

Three comparisons:

"The filial son who keeps the tradition",

"The prodigal son who blindly worships foreigners",

"The Prodigal Son"

paragraph level

1. Paragraph 1: Art treasures must pass the test and selection of time. Two typical examples are cited: Monet and Van Gogh.

2. Paragraph 2: It discusses that artistic tradition has strong vitality because anti-tradition makes it eternally new; the introduction of alien species is the key to artistic innovation.

3. Paragraph 3: Expresses support for the "World Modern Art Illustration".

4. Paragraph 4: Point out that those who can regenerate and innovate traditional Chinese art forever are those who not only inherit the Chinese art tradition but also actively learn and introduce the essence of Western art.

Important and difficult sentences

1. "The history is too long. The reason why tradition has such strong vitality is precisely because of the continuous development of anti-tradition, anti-anti-tradition, anti-anti-tradition, and eternal new life."

The superimposed use of "anti" in this sentence reflects the philosophy of "negation of negation" and generally reflects the fact of the development of art: artistic tradition has strong vitality because it is forever reborn due to constant anti-tradition.

2. "The distance between modern Chinese and modern foreigners will become smaller and smaller, and the contagion of emotions will become faster and faster. We are both people on the earth today, and the earth is getting smaller and smaller. Their interactions with each other are getting closer and closer, and their mutual understanding is also getting closer. Gradually it went deeper.”

The earth is getting smaller and smaller (referring to the convenience of transportation and communication), the exchanges between people are getting closer and closer, and the understanding is gradually deepening. The distance between modern people and foreigners is getting smaller and smaller, and the exchange of emotions is getting faster and faster. This is the trend of the world.

writing traits

Expression method: Mainly discussion and appropriate narration are the most prominent features of this article.

Use of words: The language in this article is accurate and thoughtful, yet lively and humorous. There is a kind of wisdom in the words.

Central expression: This article uses examples and theoretical arguments to demonstrate that the Chinese artistic tradition has strong vitality. It is precisely because of its constant anti-tradition that it is forever reborn. This includes the idea of ​​the continuous introduction of alien species.

Writing reference: Argumentative essays are generally rigorous in language, but this article also contains wisdom and humor amid the rigor. This is something that students need to learn from when writing argumentative essays.

1. Do you know who "Huanfeiyanshou" refers to?

"Huan" refers to Yang Yuhuan,

"Yan" refers to Zhao Feiyan.

2. What is the central argument of this article?

The argument is that Chinese artistic tradition

The reason why it has extremely strong vitality is

It is precisely because of the constant anti-tradition that

Only then can it be reborn forever,

This includes the continuous introduction of alien species.

Keywords: Forever Freshmen teaching courseware, Chinese version of ninth grade Chinese courseware for the second volume, ninth grade Chinese slide courseware download, Forever Freshman PPT courseware download, .ppt format

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"Eternal Rebirth" PPT courseware [Wu Guanzhong] is a master of Chinese and Western art. For decades, he has been exploring the combination of Chinese and Western painting arts. Most of his earliest paintings were based on the themes of water towns in the south of the Yangtze River. The pictures are full of poetry. He paid special attention to the points, lines and surfaces.

File Info

Update Time: 2024-08-01

This template belongs to Chinese courseware Chinese version Ninth grade Chinese language volume 2 industry PPT template

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