"Qin Opera Brand Music" PPT courseware

Description

"Qin Opera Brand Music" PPT courseware

Qin Opera

Qin Opera, also known as Luantan, originated from the West Qin Opera and is popular in Shaanxi, Gansu, Qinghai, Ningxia, Xinjiang and other places in northwest my country. Because it uses jujube wooden bangzi as the percussion instrument, it is also called "Bangzi Opera" and is commonly known as "Huan Opera". "桄子" (because it makes a "wandering" sound when hitting the knot with a bang). The legend of "Bo Zhonglian" by an unknown person in the late Ming Dynasty used the tune of "Second Offender of Western Qin Opera", so it is known that it originated from Gansu. Gansu was called Western Qin in ancient times, hence its name. During the reign of Emperor Kangxi of the Qing Dynasty, Zhang Dingwang, a native of Jingyang, Shaanxi Province, wrote "On Qin Opera", which shows that Qin Opera had developed into a mature stage at this time. During the Qianlong period, Wei Changsheng went to Beijing to perform Qin Opera, which caused a sensation in the capital. It has a direct impact on the formation of Bangzi tunes in various places.

history

Qinqiang originated from the folk songs and dances in ancient Shaanxi and Gansu areas. It gradually developed around Chang'an, the political, economic and cultural center of ancient China, and was formed through the creations of generations of artists. Qin Opera "was formed in the Qin Dynasty, refined in the Han Dynasty, flourished in the Tang Dynasty, completed in the Yuan Dynasty, matured in the Ming Dynasty, and broadcast in the Qing Dynasty. After several evolutions, it has become a grand phenomenon." During the Kangxi period of the Qing Dynasty, Zhang Dingwang, a native of Jingyang, Shaanxi Province, wrote "On Qin Opera". At this time, Qin Opera had already developed and matured. During the Qianlong period, Wei Changsheng went to Beijing to perform Qin Opera, which caused a sensation in the capital and had a direct impact on the formation of Bangzi tune in various places. In the first year of the Republic of China (1912), the Yisu Society was established in Xi'an, specializing in Qin opera. It was determined to reform, launched many new plays, and absorbed the nutrients of Peking Opera and other operas. The singing style changed from high-pitched and passionate to soft and clear.

Qin Opera program

Self-introduction of family status: This is the self-introduction of the main characters in the opera when they appear. It consists of an introduction, a setting poem, and an introduction.

Introduction: When the protagonist first appears in the play, he half-reads and half-sings some words with a rhyme structure, which is the introduction. It generally describes one's mood, situation, identity, experience, and character, and expresses interests, ambitions, and emotions.

In Shaanxi, in the rural areas of Qinchuan and Guanzhong plains eight hundred miles away, no matter men, women, old or young, they can roar a few times. This is also a major feature of Qin Opera. During the slack season, the village troupe is lively, and sometimes a family of several They all go into battle together, and their seriousness is no less serious than that of professional actors.

Qin Opera brand music

Qin Opera brand tune: Banhu solo piece, adapted by Aaron Kwok in 1952 based on several tunes of Shaanxi Qin Opera. Played with alto banhu.

The introduction is taken from the "Official Music Score", which is warm and unrestrained.

The tune of the first section is also derived from "Guan Pu", but the speed is slowed down, the rhythm is broadened, and the mood is relaxed and leisurely.

The melody of the second section is developed based on the tune "Killing Daji", and the mood changes from sad to exciting.

The third section is Allegro. The original song is titled "Entering the Bridal Chamber". The sound pattern is short and the rhythm is choppy, expressing joy.

After the melody slows down, the fourth section is a cadenza accompanied by a drum board, with complex sounds and rapid beats, and the passion is boiling, pushing the whole song to a climax. Finally, the fourth paragraph changes again.

The speed of the whole song is sometimes slow and fast, the intensity is sometimes weak and sometimes strong, the rhythm is sudden and changeable, the slow part is melodious, the urgent part is passionate and unrestrained, and it has a dramatic effect.

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Update Time: 2024-07-06

This template belongs to Music courseware Ninth grade music volume 2 industry PPT template

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