"Tibetan Songs" PPT courseware

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"Tibetan Songs" PPT courseware

tibetan folk songs

1. Labor songs: These types of songs are mainly spread in pastoral areas and are sung by people on working occasions. Example: "This is how you milk a cow" from the Lali area.

2. Gongbu Arrow Song: It is a heroic battle song of hunters, with a rich forest style and smooth and complete melody. Example: "Beijing's Golden Mountain" is said to be influenced by the arrow song "Sign of the Day" (an ancient folk song in Linzhi area).

3. Duixue: A relatively mature singing method, it is the song and dance of western Tibet. In addition to the Zhanianqin, Duixie's accompaniments include dulcimer, Qudi, Huqin, Teqin and string bells, which have formed a fixed orchestration pattern and unique performance techniques. Examples: "The Water of the Lhasa River" (Lazi, Shigatse), "How Broad the Sky is" (Dingri, Shigatse), etc.

4. Langma: Tibetan band performance method. Founded in 1795, the Doren Pandita Tenzin Party introduced it from the mainland. There are usually six people singing, and the music played is called Langma, which means internal (singing and dancing). Example: "Song of the Snow Mountains" (Lhasa, lost).

5. Hundred: The war song was produced as early as the Songtsen Gampo period, and then became a custom. Bai's singing method is very unique, and his voice must be hoarse to show the warrior's heroic spirit of charging into battle. According to records in "History of Japanese Music" and "Music of Japan", ancient Tibetan music once spread to Japan, and some folk singing methods are very similar to those of Tibetan folk songs.

6. Wedding songs: Weddings are in harmony with youth. When entering the door, you should sing songs in praise of the door. When going upstairs, you should sing songs in praise of the ladder, toast songs, hada songs, bridal chamber songs, songs in praise of parents, songs in praise of the bride and groom, songs in praise of the building and house, and songs in praise of wine. There are songs for singing, songs in praise of stoves, sacrificial songs and songs to ward off evil spirits. The melody is humorous, cheerful and festive.

7. Funeral songs: Originated from the Tibetan native religion "Jilu Sect", it is religious music formed by absorbing folk music. It is usually sung by monks to the accompaniment of musical instruments such as daru drums, bells and leg bone trumpets. Example: "Chang Tiao" (Qamdo), etc.

Tibetan religious music "Ama Oh"

"EMAo" (eMAo) is the Tibetan people's call for liberation. The lyrics express the deepest concept of Buddhism: the birth, end, residence and movement of all things are actually air. The deepest longings in people's hearts penetrate through the layers of air and reach the sky through the deepest and most pious shouts. Very different from ordinary traditional religious music, "Ahema Oh" starts with a pious call, supplemented by rich modern electronic music, and the sound shakes people's hearts. The person who can so perfectly combine traditional religious music with new-generation electronic music is Zhang Dawei, known as the "Father of Chinese Electronic Music." Zhang Dawei balances the ancient and the modern with elegance and simplicity. Combining Tibet's noble and gorgeous natural melodies with multi-layered modern sounds and wild tonal tunes, it forms a fascinating contrast. The entire album is not only filled with spiritual peace and tranquility, but also contains spiritual energy that spans centuries. It is the only recorded blessing scripture of Master Langren, a eminent monk with profound attainments in Tibetan Buddhism, before his death.

court music

Tibetan court music generally refers to the music for cloud music and dance in the Potala Palace in Tibet in the middle of the last century, and also includes the music for cloud music and dance in the palaces of the great living Buddhas in monasteries in various places. Although there was a "Zambu Gulu" during the Tubo Dynasty, it is limited to lyrics and no music (music score), so it remains to be verified.

The music for Yunle Dance can be divided into three types: "Gar" (dance) music, which is a free, broad and long song and dance music, often composed of "Suna" (wind music), dama drum and recorder Wait for the instrument to play. "Garlu" (song) music, it is a kind of Garlu song with beautiful melody and elegance, often with Zhanianqin, dulcimer, "Biwang" (string), flute, "genka" (string) and other musical instruments serve as accompaniment. Welcome and send-off drum music and light instrumental music are purely instrumental music. Among them, the welcome and send-off drum music is often played by instruments such as "sona", dama drum and recorder, while light music is often played by recorders and dama drums. Instrumental playing. Court music belongs to a higher style category among traditional Tibetan music. The content it expresses is often religious or eulogizing to religion. In the past, the performers of Yunle Dance were all men to show the sanctity and sanctity of the religion.

There are many kinds of Tibetan national musical instruments, such as plucked instruments such as jamunie and dulcimer; bowed stringed instruments such as oxjiaohu, tieqin, genka, huqin, remaqin, etc.; wind instruments including recorder, bone flute, tuba, trumpet, suona, and copper Flute, conch, mouth string, bamboo flute, mud flute, etc.; percussion instruments include big drum, Reba drum, dama drum, Balang drum, gongs, cymbals, string bells, etc. Among them, the jamunie, niujiaohu, tuba and recorder are the most distinctive. Jamunie is a six-stringed qin, which is said to have a history of 600 to 700 years. It is the main accompaniment instrument for folk songs and dances such as Duixue, Nangma and Jamunie. Niujiaohu is similar in shape to the erhu, but the instrument is made of oxhorn, and is mainly used for accompaniment of strings and zhega. Due to the short bow, all the long tones in the melody are repeated as eighth notes in unison, and a major second or minor third is added to the weak beat to form the melody of Xianzi music. main features. Recorder and bone flute are popular in pastoral areas. The recorder is made of wood, and the bone flute is made of eagle or lamb leg bones. It has a high pitch range, a small volume, and a high-pitched sound. It is often used to play pastoral tunes. Tuba, called "Tongqin" in Tibetan, is made of copper, has no holes, is about 3 meters long, and has a large mouth at the lower end. It can blow out the fundamental tone and the fifth overtone. It has a huge volume and is mostly used in temple ritual activities and Tibetan opera music. .

Keywords: Tibetan song teaching courseware, fourth grade music PPT courseware download, fourth grade music slide courseware download, Tibetan song PPT courseware download, .PPT format;

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Update Time: 2024-10-03

This template belongs to Music courseware Fourth Grade Music Volume 1 industry PPT template

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