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The art and elegance of Song Dynasty calligraphy fonts

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Nice to communicate with you! The Song Dynasty was one of the most glorious periods of Chinese culture, and its cultural and artistic achievements also had a high status in the world. In the Song Dynasty, printing also developed rapidly, and some very rep

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The font of the Song version of the book

The Song Dynasty was the most civilized dynasty in Chinese history. Although Song Taizu used force to rule the world, he was by no means an ordinary martial artist. He was well aware of the importance of force, so he drew on the experience of previous dynasties and adhered to the pragmatic governance policy of "ruling the country with culture."

During the more than 300 years of the Song Dynasty, although the Song Dynasty was vulnerable in military operations, its outstanding achievements in material and spiritual civilization enabled it to achieve an ideal state of long-term stability.

Song Dynasty aesthetics can be said to be a model of minimalism that leads the world for a thousand years.

The Song people continued, broke through and innovated on the aesthetic basis of the Tang Dynasty and the Five Dynasties, and finally formed an aesthetic appearance that was elegant, light, simple and simple. When this kind of aesthetics is projected onto the Song Dynasty books, it integrates most of the Song people's aesthetics in literature, calligraphy, painting, engraving, etc., showing unique characteristics.

The value of Song-printed books in the book world is regarded as more valuable than gold. The reason is that Song-printed books embody the aesthetics of Song people. We can get a glimpse of the living conditions of the Song people and even their aesthetic pursuits from the Song editions.

△Part of "Ni Kuan Zan" by Chu Suiliang (Collected by the National Palace Museum, Taipei)

Specifically speaking, woodblock printing in the Song Dynasty requires calligraphers to first write the words to be printed on thin paper according to printing specifications, then paste it upside down on jujube or pear wood, and then use a knife to carve the reverse words on On the wooden board, when printing, the positive text on the wooden board is covered with ink, and then it can be printed directly on the paper.
The Song Dynasty was a period when calligraphy flourished. Song Huizong himself was proficient in calligraphy and even created his own thin gold style. The printers of the Song Dynasty also pursued the perfection of calligraphy. The Song Dynasty people focused on the steady and solemn regular script. Therefore, several calligraphers of the Tang Dynasty who were already very influential at that time were widely praised. The calligraphy styles of Ouyang Xun, Liu Gongquan, Chu Suiliang and Yan Zhenqing were highly praised. widely used.

△"Manuscript of Memorial to Nephew" Yan Zhenqing's running script

There is a reason why people in the Song Dynasty admire calligraphers of the Tang Dynasty. The Tang Dynasty was the peak of the development of calligraphy art, and the Song Dynasty continued this trend.
The calligraphy art of the Tang Dynasty inherited the charm of the Six Dynasties, especially regular script. It integrated the beauty of the regular script of the Southern Dynasty with the squareness of the Wei stele in the Northern Dynasty, forming a unique The momentum of the prosperous Tang Dynasty.

△ "Zhang Han Tie" Ouyang Xun

The more common styles in Song editions are Yan style and Liu style.
Yan Zhenqing is

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