In the fixed thinking of contemporary people, it has always been believed that ancient women were There was no opportunity to study, so there was a popular saying at the time: "A woman without talent is a virtue." In fact, the meaning of this sentence is not that a woman does not study and has good moral character without talent, but that women should not be arrogant about their talents and only cultivate virtue. Xi Jinping's own talents do not pay attention to excellent character quality, and from ancient times to the present, "talented women" who are wise, knowledgeable and noble sentiments have also been highly sought after.
For example, Li Qingzhao, "the most talented woman in the Song Dynasty", is a model. Her ancestral home is Zhangqiu District, Jinan City, Shandong Province. She was born into a scholarly family. Her father, Li Gefei, was an open-minded person who did not have the complicated etiquette and rigidity of literati. He was very interested in Li Qingzhao's education. Li Qingzhao was diligent and had countless books at home. Therefore, Li Qingzhao received good influence in calligraphy, poetry and painting from an early age and developed a high artistic talent.
He became a representative of the "Graceful School" of Song Dynasty poetry. In his early years, when he was living in a boudoir, his writing style was more playful and lively. After getting married, his husband Zhao Mingcheng and him were inseparable. The two had a deep friendship, and his poetry style became romantic and sweet. However, with the development of the Song Dynasty, Decline and decay, and the turbulent situation in the DPRK forced the two to separate, so Li Qingzhao's poetry style at this time gradually began to become melancholy.
She had deep feelings about her family and country. Later, her husband's death gave her a heavy blow, and she was completely trapped in a cage of pain. She became more and more sad and miserable. Her poems and poems changed from the clever and innocent in her early years to a completely depressed one. The desolation made the world feel sad for her experience. The impression of her was basically that of a weak and gentle woman, but in fact, Li Qingzhao was a very "rebellious" strange woman.
She was quite critical of many literati. She was not optimistic about Li Yu, Liu Yong, Feng Yansi, Ouyang Xiu, Su Shi, Wang Anshi, and Huang Tingjian. She believed that their poems were not exquisite. She also loved drinking during her life. Among her 49 poems that are currently in existence, there are Half of it was written in a drunken state, which shows Li Qingzhao's independent concept of life. This spirit was very rare in the troubled times like the Song Dynasty.
At the same time, Li Qingzhao and her husband Zhao Mingcheng also did a lot of research on epigraphy. They were very knowledgeable about the inscriptions of the Wei and Jin Dynasties, as well as the calligraphy and painting works of the previous dynasties. His regular script is upright and rigorous, square and healthy, with the charm and essence of "Ou Kai". The inner strength is vivid and vivid, and it also has the strength of the muscles and bones of the "Liu character". The stippling is very delicate and accurate, giving people a sense of meticulous craftsmanship.
Especially the small regular script is exquisite and beautiful. It abides by the norms and laws, and every stroke is full of strength. It is praised as "Li's small regular script" by later generations. The running script is also in the same style as the small regular script. The writing is smooth and light, showing a soft and graceful attitude. , as beautiful as a "fairy". This technique and temperament are not inferior to those of calligraphers. It has indeed brought many surprises to future generations. However, some netizens commented that Li Qingzhao's calligraphy is not the most exquisite.
Her husband Zhao Mingcheng's calligraphy is even better than hers. Judging from the postscript of Ouyang Xiu's "Jinshilu", his calligraphy is elegant and powerful, which shows Huang Tingjian's powerful and vigorous power, but not as rich and majestic as his. The stippling is more mellow and beautiful, with a sense of elegance and beauty of a literati. The brush strokes are varied and colorful. The style is similar to Cai Jing in several ways, showing the elegance and perseverance of a gentleman.
What are your opinions on the calligraphy of Li Qingzhao and Zhao Mingcheng? Please leave a message in the comment area below to discuss!
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