"The hero immediately rose from Shatuo, but Zhu Liang was so domineering. It was difficult to support the Tang Dynasty with one hand, and the city still embraced the mountains and rivers of Jin. Under the wind and cloud tent The odd child is here, and there are many tears in front of the drum and horn lamp. The road is desolate, and people still sing "A Hundred Years Song". This is a relatively familiar ancient poem written by Yan Suicheng in the Qing DynastyA seven-character rhyme poem with only fifty-six words and a grand momentum. This poem has a different realm. The whole poem will tell the story of historical events. It integrates ancient and modern times, especially the beginning and end are extraordinary, with neat dialogues and sophisticated writing, which expresses heroic spirit. This ancient poem written in Chairman Mao's handwriting has reached a certain level, which is the fusion of poetry and calligraphy. Passionate and majestic, it represents the highest state of Kuangcao. Let us enjoy it together.
Chairman Mao's handwritten ancient poems, on the whole, the rich and atmospheric feeling is more refreshing, especially the pen and ink, which is thicker. The situation of writing with thick ink is not only In this way, we can also experience the ups and downs from the changes in the lines. Not only are there contrasts in thickness and strong contrast, but there are also twists and turns. Many lines can echo from beginning to end, even if there is no obvious pulling thread. Leading, but the brushwork can always be connected and the connection is close. I believe that this processing effect will have more visual impact. At the same time, we also noticed that the shape is also very unique. Not only does it have a strange shape, but also Some of them are very exaggerated. In this way, the abrupt feeling is even stronger. The lines and shapes are different, and there is a feeling of interspersed leads. Although it looks closer, there is no violation. The harmonious feeling makes people feel more friendly and natural, and more delicious.
In Chairman Mao's handwritten ancient poems, there are many characters that are very distinctive in shape, such as the two characters "mountain and river". The processing of these two characters not only has obvious ties. Leading, and it is also a looming processing effect, especially the word "river", which is powerful and powerful. It can be written in one stroke. The phenomenon of white spots also pays attention to the rhythm of writing. I believe this rhythm is not ordinary. What a calligrapher can master requires not only calligraphy skills and techniques, but also a kind of ups and downs of emotions, and more of a kind of literary accomplishment, isn't it? What do you think?
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