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Lu Xun, a great modern Chinese writer and translator and the founder of the New Literature Movement. His original name was Zhou Shuren, his courtesy name was Hencai, and he was a native of Shaoxing, Zhejiang. His handwritten banner "Mourning for Dingjun" was praised by calligrapher Shen Yinmo as "the best piece of calligraphy written by Lu Xun in his life".

Picture/Banner "Mourning for Dingjun"

The original size is 36 × 24 centimeters, untitled, vertically written from the right, with four lines of poetry, followed by the inscription "Mr. Tao Xuan teaches correction" and the signature "Lu Xun", with a white square seal of "Lu Xun". In the lower right corner of the ink mark, there is a white collection seal with "Jiaodong Cao Man's Seal".

In May 1933, left-wing writer Ding Ling was arrested and no news was heard from her, and it was rumored that she was murdered. Lu Xun was very sad and angry after hearing this, and wrote the poem "Mourning for Dingjun". On June 28, Zhou Taoxuan, who was living in Hangzhou at that time, asked Yu Dafu to ask Lu Xun for calligraphy, and Lu Xun wrote this calligraphy.

After liberation, due to various reasons, Zhou Taoxuan transferred this calligraphy to Xiling Seal Society. Cao Manzhi once served as the first deputy secretary-general of the Shanghai Municipal Government and was also in charge of the Civil Affairs Bureau. He actively participated in the relocation of Lu Xun's tomb. He died of illness in Shanghai in July 1991. When he recalled the origin of this banner during his lifetime, he said that he admired and loved Lu Xun very much throughout his life. During the Anti-Japanese War, he ran two Lu Xun middle schools and six Lu Xun primary schools in Jiaodong. In 1962, while he was recuperating in Hangzhou, the Zhejiang Provincial Party Committee sent someone to negotiate with him, and he was willing to exchange some calligraphy and paintings from Xiling Seal Society for the calligraphy of Xu Wenchang, a calligrapher and painter of the Ming Dynasty, which he collected and was the only one in the country. He chose this piece of Lu Xun's handwriting "Mourning for Ding Jun".

Cao Manzhi said before his death that he would eventually donate this handwriting to the Lu Xun Memorial Hall in Shanghai. This time, his wife Cai Zhiyong’s selfless donation fulfilled his unfulfilled wish.

In fact, Lu Xun was extremely accomplished in calligraphy. In his early years, he copied ancient steles for a long time and was keen on searching for rubbings of inscriptions and inscriptions. He had a high appreciation for calligraphy and fine arts. His calligraphy is quaint and thick, full of literary charm. Whether it is carefully written couplets or improvised manuscripts and letters, they are all valuable.

Lu Xun's "Self-Inscribed Portrait"

Explanation: There is no way to escape the divine arrow on the spiritual platform, and the stormy and dark hometown is dark. I wish you could see the cold stars in Tsuen, but I recommend Xuanyuan with my blood.

Lu Xun's "Untitled" (When I'm used to long nights in spring) Poetry manuscript

Explanation:
I am used to spending long nights in spring, and my wife will have hair on her temples.
In the dream, there are vague tears of loving mother, and the king's flag changes on the city wall.
I can't bear to watch my friends become new ghosts, and look for poems in the sword bush angrily.
After chanting, I lowered my eyebrows and found nothing to write about. The moonlight shone like water on my clothes.
Recorded and submitted in the spring of the mid-afternoon year
Brother Ji Shi taught Lu Xun

Lu Xun's "Couplet to Mr. Qu Qiubai"

He Waqin (He Qin, also known as Fanggu and Waqin, a native of Qiantang, Zhejiang) was recorded in the Qing Dynasty. He was a master of metal and stone seal cutting and the author of the "Yi Shou Guan Ji Jin Tu". This couplet is his calligraphy collected from Lanting's calligraphy and recorded in the Qing Dynasty. The couplet of "Jihu Tiezi" in the book "Yanyu Tower Notes" is: "It is enough to have a confidant in life, and this world should treat him with sympathy." The top line is "Brothers suspected of Taoism." "仌" is the ancient Chinese character for "ice". "Ning" is a pen name of Qu Qiubai. It is signed "Luo Wen Lu He Wa Qin Yu." "Luo Wen" is one of Lu Xun's pen names.

Lu Xun's "Gift to Mr. Pingjing in Answer to Guests' Criticisms"

A ruthless person may not be a true hero. How can a pity for a child not be a husband? Do you know that those who stir up the wind and roar will look smaller than a dodder when they look back?
Mr. Tsuboi invited Mr. Tsuboi to correct Lu Xun in the recording of the winter drama of the new year

Lu Xun's "Scroll of Poems by Li He"

Changqing's house is sad and empty, and Manqian's humor makes her look happy.
Seeing the sword in the water of Ruoye River, I returned to the Ming Dynasty to serve the Monkey King.
The long and auspicious poems recorded are attributed to Mr. Songdi and are attributed to Lu Xun

Lu Xun's "Letter to Mr. Wu Qishan"

Living in Shanghai for 20 years, seeing China every day:
When you are sick, you don’t seek medicine; when you are bored, you study.
As soon as he became broad, his face changed, and more and more heads were beheaded.
Suddenly he went to the wild again, where Amitabha was nowhere to be found.
The inscription is "In the early spring of the Xin Dynasty, please ask Mr. Wu Qishan to correct the letter"
Wu Qishan, also known as Uchiyama Wanzo, a Japanese, came to China in 1913 and opened Uchiyama Bookstore in Shanghai. After getting acquainted with Lu Xun in 1927, they often communicated with each other.

Lu Xun's new style poem "My Broken Love - Let Her Go" 27.2×24.1cm Collection of Shanghai Lu Xun Memorial Museum in 1924

My love is in a wealthy family; if I want to go there, there is no car, and I can’t raise my head without tears. My lover gave me a rose; why should I give it: a red snake. From then on, he turned his back on me and ignored me. I don't know why - just let her go.