In metal typography, a typeface is a font of a particular size, weight and style. Each font is a set of matching typefaces, a slice (called a "sort") for each glyph, and a range of fonts that share the overall design of the font.

In modern usage, with the advent of digital fonts, "typeface" is often synonymous with "typeface". Each style is in a separate "font file" (for example, the font "Bulmer" could include the fonts "Bulmerroman", "Bulmer", "Bulmerbold" and "Bulmerextended"), but the term "font" may be applied individually One of these fonts can also be applied to the entire font.

In traditional typography and in modern usage, the term "typeface" refers to the delivery mechanism for typeface design. In traditional typography, typefaces would be made of metal or wood, today typefaces are digital files. In letterpress printing houses the term "type" refers to the set of metal types used to typeset an entire page. The uppercase and lowercase letters are named because of where the metal type is when used for manual typesetting: the closer the uppercase letters are or the closer the lowercase letters are. The terms majuscule and minuscule also refer to the same difference.
Unlike digital fonts, metallic fonts do not contain individual definitions for each character, but commonly used characters such as vowels and periods contain more physical fonts. When you buy a new font, it will usually be sold as 12pt14A34a (for example, in Roman letters), which means it will be a 12 point font with 14 uppercase "A"s and 34 lowercase "A"s .
The number of remaining characters should be suitable for the distribution of letters in the language. Some metal fonts required in typography, such as dashes, spaces, and line-height separators, are not part of a specific font, but are generic fonts that can be used with any font. [2] Leads are often still called "leading" because the bands used for the leads are made of lead rather than the harder alloy used for other parts. "Lead" is used to make the spacers because lead is a softer metal than traditional wrought metal pieces (parts of lead, antimony, and tin), and it is easier to compress "chase" when "locked" in printing ) is the vector that keeps all types together.
In the 1880s-1890s, "hot lead" typography was invented, typefaces that were cast to set, either piece by piece (as in the Monotype technique) or whole lines at once as in the Linotype technique.

Dusan Sevarika

Typography Works

DesignDirector

Zagreb,Croatia

Hi, my name is Dusan Sevarika, I am a 31 Year-old independent graphic designer specializing in logo and identity design. Born in Belgrade, currently lives in Zagreb. I have more than 10 years of experience in global logo projects, my work is passionate and focused on the combination of design.

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