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What kind of font is easy to recognize and fast to write? How can beginners master the technique quickly?

One of the fonts that are easy to recognize and write quickly is italics. KaiTi is one of the commonly used fonts in Chinese calligraphy. Its stroke structure is clear, the strokes are relatively simple, easy to recognize, and the writing speed is relativ


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What kind of font is easy to recognize and fast to write, and how can beginners practice to quickly master the technique.

Nowadays, many people want to practice handwriting, especially the fonts that can be written quickly and easily recognized, because they are practical.

This kind of font is "Xingkai", or "Running Script" (a slightly more lively ligature than Xingkai).

Undoubtedly, this type of Xingkai font is indeed easier to practice than regular script. The most difficult thing to write is regular script. A little improper structure arrangement will not look good. Then, Xingkai is relatively easy to write, regardless of strokes or structure, it is relatively free.


Generally speaking, Xingkai is the most popular, because it is easy to recognize and can be written quickly.

Many people may ask, I don't have any basic knowledge of regular script, so can I practice Xingkai directly?

Yes, after all Xingkai running script and regular script are different fonts, as long as you practice all the knowledge and skills of Xingkai step by step in a certain order, you can practice beautiful Xingkai fonts.


Here, what I want to talk about is some tips for practicing calligraphy. You must first understand these, otherwise you may practice calligraphy passively and blindly, resulting in a waste of time and thankless effort.

If you want to master Xingkai quickly, you must understand the following three calligraphy skills:

The first handwriting skill: press and connect strokes

Pressing is a very important skill, whether it is calligraphy or hard-tipped writing, you must pay attention to pressing. Without mention, there is no calligraphy. If there is no mention, there is no rhythm.

Lift means to lift the nib of the pen upwards to write without using too much force, or to say that the force should be weaker and thinner.

Press, that is, press the tip of the pen down to write, you need to press hard, the purpose is to make thick lines.

Actually, just saying "lift" and "press" is very simple, isn't it just lifting and pressing to write, it is true. However, the difficulty is that which place should be mentioned and which place should be pressed requires in-depth research.


At this time, if you practice Xingkai Xingshu, you must know the starting, running, and closing of strokes. In the process, where to lift and where to press.

For example, from the point of view of regular script, the brush starts gently and gradually becomes thicker, and after a pause, the tip of the brush comes out again. Xingkai running script is different. It is generally divided into two types. One is that there is no nib at the end of the pen, but it is turned after a short pause to connect to the next stroke.


There is another kind of 捺, which is anti-捺 (the most commonly used 捺 in Xingkai running script), which is directly different from the 捺 of regular script, just like a big advantage.

Attention: After finishing writing the 捷气 (actually, there is no 捺头, but a pause pen), it is required to continue the writing, and the hairspring should be rotated so as to connect to the next stroke:


For example: next to the character rice, you need to make "lift", "press" actions and continuous strokes. Point-to-point continuous strokes, vertical stroke starting strokes, horizontal and vertical stroke strokes, stroke-lift strokes, and stroke strokes before lifting:


Second calligraphy practice skill: main playback and second collection

Primary, refers to the main stroke, and secondary, refers to the secondary stroke. Although it literally refers to the strokes, it actually refers to the structure.

Without strokes, where is the structure. Strokes and structures are not separated, but they are artificially separated for the convenience of explanation.

There are many strokes in a word, so we must pay attention to the primary and secondary relationship of the strokes.

Therefore, we must find out the main author, not necessarily one, sometimes two, or even three.

As we all know, if you want to write good-looking regular script, you must pay attention to the main pen and secondary pen, and the same is true for Xing Kai.

For example: in the bottom structure of the Chinese character “盐”, the main stroke is the bottom horizontal stroke, and the enclosing structure above must be tightened, that is to say, the horizontal stroke is the main stroke, and the rest are secondary strokes. The main strokes are loosened to write, and the secondary strokes are restrained and written:


Another example: in the characters in the picture below, the main strokes are very obvious, so they should be written freely. On the contrary, the secondary strokes have to be written with restraint, so as to achieve the effect of "main release and secondary collection":


Another example: "Qi, Yi, Mei, Xian, Xuan" example, the main strokes are clearly displayed, and the secondary strokes are restrained, so that the writing looks spiritual:



Third calligraphy practice skill: Simplify merging

Xingkai font is different from regular script. It is impossible to write slowly one stroke at a time, but requires fast writing. At this time, some strokes must be "simplified" or "merged".

For example: for the side of the word and the side of the cloth, combine the apostrophe and the dot into one, and become "a note", so that you can quickly write:


Another example: the radical "four-dot base" is originally composed of four dots, but it can be simplified into three dots and formed by continuous strokes:


Another example: next to the word Chang, the regular script is originally two strokes, but the running script can be connected by one stroke:


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