The 20 most popular fonts in 2020 are: 1. Helvetica Now - a classic and modern font widely used in various design fields. 2. Futura Now – Another classic font with clean, geometric features. 3. GT America - A font inspired by American highway signs. 4. Ap
Design media Creative Boom released the top 20 fonts that are predicted to be popular with designers in 2020 at the end of 2019. Among them, Helvetica Now won the first place as expected, let’s get to know these 20 fonts together ! The biggest news of 2019 was the launch of Helvetica Now in April by Monotype, the first relaunch of Helvetica in 35 years. Design, each letter has been redrawn with practical options to suit the needs of the modern designer. Helvetica Now has been very popular in the past 6 months, and I believe it will continue to be popular in the future . Designer Mark Bloom has worked in the font field for many years when he was at Mash Creative. He launched his own brand CoType this year. CoType's font Aeonik has a strong structure and mechanical details. The designer positions it as Neo-grotesque with a geometric skeleton, a total of 7 weights and italic (italic) can be widely used. Can create a changeable vision, in noisy, High mood and low-key, quiet transition freely. All the sharp corners have been changed into arcs, giving NewsSans a little more personality. There are 9 weights and 5 widths to choose from. Comes with italics. A free trial version of NewsSans is available for download at charactertype.com. #04 Beatrice Display< /section> New York font company Sharp Type's newly released Beatrice, based on traditional American Gothic, tightens the kerning, Beatrice The font family offers a number of weight options, including the high-contrast, tightly spaced Beatrice Display (below left), and the standard low-contrast font. #05 Untitled Sans Untitled Sans From Klim, the New Zealand font company that launched caliber, it belongs to Neo Grotesk sans serif.
Untitled Sans has a design drawn from traditional lead typefaces between the Caslon and Times periods. This font is highly used and can be seen in many works. ![]()
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#06 Gilroy Gilroy is a modern sans-serif font with a geometric style, which can be regarded as a relative of the Qanelas font family. There are a total of There are 20 weights, of which there are 10 upright versions and corresponding italics for selection. Among them, Light and ExtraBold are free fonts, which are worth a try. DIN The classic design is not a problem, but its font weight and width options are limited, which is a shortcoming that cannot be ignored. This century-old design has definitely stood the test of time, but it also needs a more modern redesign. DIN Next, which can be used flexibly and never loses popularity, was born. After the redesign, the classic DIN has turned into the indispensable DIN Next of this era. There are 7 font weights from light to black, each with italic and condensed designs. ![]()
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The company will be the most popular in the 70s, soft body The Cooper, and the slightly left-angled, smooth Windsor, blend together into a familiar yet fresh, modern Recoleta. Latinotype provides a variety of font weight options, thin is suitable for text, bold is suitable for titles . Fann Grotesque, the work of Colophon Typeface, in which the non-italic orthographic style captures the charm of 19th-century British Grotesque and continues to explore its idiosyncrasies and imperfections. Design Fann Grotesque inspired by Stephenson Blake, Day & Collins, Miller & Richard and other British font companies. A total of 9 font weights: Thin, ExtraLight, Light, Book, Regular, Medium, Semibold, Bold, Black, all of which are equipped with corresponding italics. The same as No. 4 News Sans from Sharp Type Company in New York, Doyle with a sense of the times , combining two fonts, Cooper Black and ITC American Typewriter, to create something completely new. Doyle font family has a strong structure, but it is a bit loose visually. A kind of wet vitality when the pen and ink are still wet. Nova produces Helvetica's Monotype, and its Albertus Nova is The Albertus font is brought back to life in the digital age. In the new version, the original 2 weights have been changed to 5 weights from thin to bold. The original author Berthold Wolpe began to design Albertus in 1932. Since its publication, it has been widely seen on book covers Design, Corporate Identity, Signage, Video Games. Creative Boom predicts that Albertus Nova will be a frequent haunt in 2020. #12 FF Mark < /section>Completed in 2013 by German font designers Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department, FF Mark from There are 10 font weights from Hairline to Black, which are very suitable for the design of movies, TV, advertisements, packaging, publications, publications, logos, etc. It is quite suitable for music, software, video games, sports and even web design. TT Norms Pro It is one of the best-selling geometric sans serif fonts (geometric sans), very attractive and easy to use. The design team provided 11 weights and their italics.
TT Norms Pro can be used in a wide range, whether it is a large text block or a small title, it is a general Geometric grotesk for various situations. #14 Coign Coign challenges the limit of "narrow body". Generally speaking, narrow-body designs are limited by space, and it is difficult to develop unique styles and characteristics. However, Coign has a total of 7 font weights and 4 font widths. It is no wonder that Coign is becoming more and more popular.
Neue Haas Grotesk is the predecessor of Helvetica, designed by Max Miedinger in the 1950s. Designer Christian Schwartz completed the digital version of Neue Haas Grotesk in 2010, he said " The warm character of Miedinger's version has been erased in several revisions.This reconstruction plan The focus of the painting is to bring back the original Neue Haas Grotesk by Miedinger, and to be faithful to the original shape and space configuration."Okay Type's serif font, Harriet is like a modern Baskerville font with a touch of Scotch Roman. Extremely versatile, offering 2 optical sizes and multiple weights. ![]()
#17 Avenir Next Akira Kobayashi, a well-known font designer, and Adrian Frutiger, who invented the Avenir font, worked together to complete the new version of Avenir Next. This is a reinterpretation of a classic, an extension of the original concept. Avenir Next family has a total of 32 fonts from ultra-light to heavy. Overall, the design of Avenir Next is simple and direct, and it is excellent whether it is used for copy content or title. #18 NibNib's serifs and f, j, y hooked parts are all elegant and funny. Some are inspired by calligraphy, while others come from paintings on ancient stones. “Nibs are intimate yet aggressive, so they can be used in It comes in handy for a variety of occasions,” says Colophon, the company behind the Nib. Silk Serif is a high-contrast font with a thin, Sharp serifs. The highlight of this font is the torso (stem) and curve ( bowl) apart, yet come close together to create the illusion that they are connected, as in the case of P in the figure below. If you want to show texture, Silk Serif is your best choice. Another work from the Colophon font company, the prototype of Visuelt is more conservative, somewhat similar to Aperçu The font, in the process of multiple revisions, added new details, removed the characteristics of Aperçu, and found its own voice for Visuelt. After reading these 20 fonts, which one do you pick? Welcome to leave a message to tell us~Source: Design IN Taiwan< /span>https://mp.weixin.qq.com/s/iTzo12KRqEQhWy_hlk9wgA
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