本作品为一个由民间传说改编而来的原创小说介绍，本来做成dpub格式的互动媒体参加比赛，现在整理了一些页面图片，聊以纪念。
本来dpub文件的互动效果就不是很多，和PPT有一拼，只是兼容性更差一些，做成平面图片也无可厚非，只是少了动态效果、背景音乐、视频和一些所谓的互动而已，以下均有详细介绍。
原创小说阅读：《》
我叫萤缝。
当我还是一枚不谙世事的茧时，常常会在夜晚冰凉的泥土里被冻得瑟瑟发抖，直到我所蛰伏的泥土附近，一株苇草用根须轻轻拥住我，传递来她的温度。
那是我第一次感受到阳光以外的温暖。
那株苇草每天都在回忆着同样一个故事，似乎其他苇草都不能理解她的感情，她便只能暗自回想那些细节，一遍一遍，不厌其烦。
而她记忆的声音，透过根须，我能听见。
她叫莳青。
她总在回忆和那个少年初见的那一夜，那个少年温柔而无助地靠着她，仰望着满天繁星。她不懂他的哀伤，只能安静地陪他一起看着，远处有荷花的味道飘来，那一夜的星空很美。
苇草的一生不过数月，哪有能力爱一个人。莳青却痴迷得如此之深，湖里经年的老龟曾说过，她这样早晚会出事。
五月末，夏日炎炎，正是苇草繁盛之时，莳青却突然萎靡不振起来，湖岸的苇草们都以为她是相思过度，而只有我知道，廿七那夜，莳青将自己的最中心的叶子折下，编成灯芯，为那位少年燃了一夜的灯。灯火摇曳里渐渐化为灰烬的，是莳青的寿命。
廿九，莳青生命将尽，我能明显感觉到她拥着我的根须渐渐失去力气，我的内心无端地涌起恐惧。
黑暗里，我听见她微弱的声音，“这一生能遇见他，真好”，温柔而满足。
我心里的悲凉开始蔓延，莳青，你这样真的值得么。
我是不懂爱是什么，不懂究竟会有怎样的感情会让人不顾一切地付出，哪怕只有点滴成效。
子时，莳青命数将近，那是我最后一次听见她的思想——
可惜，未能告诉他我的名……
/*于青萍之末
风露更婆娑
还以为此刻
恰逢因果*/
莳青走了，我的世界又渐渐寒冷下来。回想起认识莳青以来的这短短数月，我就像是她爱慕那位少年的见证者，见证着如此温婉善良的莳青，怎样以近乎惨烈的方式葬送自己短暂的一生。
东方微亮，泥土在阳光的烘烤下温暖起来，就像莳青姐姐曾拥着我的温度。
就让我来告诉他你的名吧。
六月，季夏，莳青的身体渐渐腐烂融入身边的泥土里，我也在黑暗中计算着自己破茧而出的时间。
十二日，破茧，我承受着近乎失去知觉的剧痛从坚韧的茧中蜕出自己的身体，跌跌撞撞地钻出泥土的那一刻，整个世界似乎瞬间温柔起来，晚风拂过，落日余晖，空气中混有淡淡的荷花的味道，如同莳青遇到少年的那一夜。
我执灯，依着莳青的记忆寻找着哪位少年，在青草的气味和蛙鸣声的陪伴下，终于在月升时找到了少年的家。
靠在窗台观察这这户人家，普通的房子，普通的家庭，普通的日出而作日落而息，连那位少年也是极其普通的，看不出任何一点不同，不懂莳青为何会喜欢。
而就在少年抬起头的那一刻，少年眼里的无限温柔和莫名的忧伤让我心头一颤，似乎明白了莳青思想里最坚定的那一部分。
莳青，就是这样的目光，让你不顾一切，宁愿化为灰烬个，也要为他燃一夜的灯么？
/*是春秋开落
或夤夜闪烁
哪个更值得
一错再错*/
少年认真好学，每晚都会读书写字到很晚，那几日，我夜夜坐在他的砚台上，在淡淡的墨香里，为他执一星光亮，就如昔日的莳青一般，也算是还了莳青与我的恩情。
少年每次研墨时都会远远避开我所在的位置，唯恐伤我分毫，对待我这样短暂的生命也温柔至此，少年的善良渐渐感动我的内心。
第三日，少年开始说一些话，有旧事，也有他的期望，像是在和我说话，又像是在自言自语。
第四日，少年说起那一夜的星空，和莳青记忆里的一样。而我的灯火却在将尽的命数里渐渐暗淡下来。
第五日，他看着我因虚弱而明灭不定光亮，眼里写满忧伤，轻轻说道，五月某夜，案前的灯火似乎格外明亮。
我的心狠狠地痛了好久，又慢慢释怀——莳青，你真的是值得的。
少年无心入眠，一直趴在桌前陪着我，直到破晓时才沉沉睡去。
我放下手里近乎熄灭的灯，蘸着已经粘稠的墨，用所剩无几的气力奋力在少年手边的纸上写下我此生最后的笔画，每一笔都在颤抖地预示着我生命的终结，而幸运的是我最终还是写完了那两个字——莳青。
少年，我叫萤缝，若有来生，就让我来缝合你和莳青姐姐的缘分吧。
少年，认识你，让我连感叹人生苦短都来不及。
/于盛夏之末
入夜仍灼热
又一场离合
开始凄恻*/
黎明，初阳的温度落在纸上，也落在我枯瘦的身体上。
/*迢迢河汉间
有磷火坠地如彗锋
奢望着
能生死相拥*/
季夏三月，*
The first page of the work is the effect of fading and superimposing three pictures in sequence. First, the "" on the ginger background fades into the "" on the ink background, and then another ink picture fades to cover it, achieving a gradient dynamic effect.
After the first page, the second page is the cover of this work, which uses the method of image synthesis and original font design to form the overall picture. The author at the bottom left of the font design is "Xingbei World", which is the pen name I used when I published the original novel of "". On the upper left of the cover is the vertical version of the lyrics of "" - at the end of Yu Qingping, the wind and dew are even more whirling, and I thought that this moment coincided with cause and effect.
The third page is the general catalog page. This page adopts a traditional Chinese style design, using ink and ink lotus elements to decorate the page to enhance the charm. The page of the chapter is set with a button to jump to the specified page, and you can jump to the page of the corresponding chapter according to the graphic in front of the text. The work is divided into five chapters in total, which are: firefly—the time is square and inch, continuing to wither and flourish; wish—to turn into light in an instant; ——.
Click on the table of contents to jump to the first chapter, Firefly——The time is square, and the glory continues. This chapter is divided into two parts. The first part is the classics: the old yellowed paper, the ink marks left under the traditional calligraphy, the autumn is cool at the end of the year, and the fallen leaves and fruits are covered with paper, and the movable fallen leaves are removed one by one. Excerpts from "Book of Rites-Yue Ling" are imprinted: Jixia March, the sun is in the willows, the sun is in the dark, Dan Kuizhong, the sun is Bingding, its emperor Yandi, its god Zhu Rong, its insect feathers, its sound signs, and the law. Lin Zhong, its number is seven, its taste is bitter, its smell is burnt, it is sacrificed to the stove, sacrifices to the lungs, the warm wind begins to arrive, crickets live on the wall, and the eagle learns. This page uses the interactive effect of free dragging. Through moving and zooming gestures, different types of fallen leaves can be identified. At the same time, the element of fallen leaves is harmoniously compared with the style of ancient paper, and it is an interesting contrast.
Then enter the second part of "Firefly"—Legend: This page adopts the same old book style as the previous page, also scattered with some fallen leaves and fruits. This page uses the interaction of slides Effects, which introduces the four stages of the legend as a slideshow. The first stage: "Green Grass", the green grass is like a rug, disdain to wither, and it is not known that after the end of the year, life and death will be parted; The fire rises; the third stage: "continuation", the fireflies are short-lived, and the never-ending longing continues the withering glory, the time is square, and I think it is just the cause and effect at this moment; the fourth stage: "Regeneration", the grass regenerates the next year , the flying insects have long since passed away, leaving behind their bodies, embracing life and death. In addition to clicking the slide button to flip through this interactive effect, you can also flip through it directly by swiping left and right. Click on the leaf mechanism to return to the catalog page.
Inner page of the slideshow - "Green Grass", the green grass is like a lawn, disdain to wither, it is not yet known that after the end of the year, life and death will be parted;
Inner page of the slideshow - "Hua Ying", in a blink of an eye, the autumn is cool, the color is gone, the grass decays, turns into a firefly, and rises;
The inner page of the slide - "Continuation", the fireflies are short, and the never-ending thoughts continue the withering prosperity, the time is square, and I think that this moment coincides with cause and effect;
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