eue, Roboto, Gotham, Futura, Akzidenz Grotesk, Avenir, Proxima Nova, Montserrat, Baskerville, Univers, Gilroy, DIN, Frutiger, Brandon Grotesque, Garamond, Trade Gothic, Neue Helvetica, Century Gothic, Didot and Gotham Rounded are predicted for 2020 The 20
2019 is coming to an end, and the design media Creative Boom released a forecast for 2020 in mid-October List of top 20 fonts most popular with designers. Among them, Helvetica Now won the first place, so let's get to know the other 19 fonts!
The biggest news of 2019 is that Monotype launched Helvetica Now in April, which is For the first time in 35 years, Helvetica has been redesigned with every letter redrawn and with practical options for the needs of the modern designer. Helvetica Now has been very popular in the past 6 months and I believe it will continue to be popular in the future.
Helvetica Now by Monotype< section class='horizontal-tb' powered-by='xiumi.us'>
Designer Mark Bloom has worked in the font field for many years when he was at Mash Creative. He launched his own Brand CoType. CoType's font Aeonik has a strong structure and mechanical details. The designer positions it as a neo-grotesque with a geometric skeleton. There are a total of 7 font weights and italic (italic) that can be widely used. NewsSans can create a changeable vision, between noisy and high-spirited emotions, low-key and quiet Easy to convert. All the sharp corners have been changed into arcs, giving NewsSans a little more personality. There are a total of 9 weights and 5 widths to choose from, all with italics. A free trial version of NewsSans can be downloaded at charactertype.com. NewsSans by Character Type< section class='horizontal-tb' powered-by='xiumi.us'>
New York font company Sharp Type's newly released Beatrice, based on traditional American Gothic, pulls the kerning Tight, the Beatrice family of fonts offers a wide choice of weights, including the high-contrast, tightly spaced Beatrice Display (below left), and the standard low-contrast font. Beatrice Display by Sharp Type Untitled Sans comes from Klim, a New Zealand font company that launched caliber, and belongs to Neo Grotesk sans serif. The design of Untitled Sans is drawn from traditional lead typefaces between the Caslon and Times periods. This font is highly used and can be seen in many works. Untitled Sans by Klim. Design by Holt< /section>Gilroy is a modern sans serif font with geometric style, which can be regarded as the Qanelas font family There are a total of 20 font weights, of which there are 10 upright versions and corresponding italics for selection. Among them, Light and ExtraBold are free fonts, which are worth a try. The classic design of DIN is not a problem, but its font weight and width options are limited, and it is a must Neglected shortcomings. This century-old design has definitely stood the test of time, but it also needs a more modern redesign. The DIN Next, which can be used flexibly and never loses its popularity, was born. After the redesign, the classic DIN has transformed into the indispensable DIN Next of this era. There are 7 font weights from light to black, each with italic and condensed designs. < section class='horizontal-tb' powered-by='xiumi.us'>
08Latinotype company combined the most popular and gentle Cooper in the 1970s, and the slightly left-leaning, smooth Windsor blends into a familiar yet fresh, modern Recoleta. Latinotype provides a variety of font weight options, the thin font is suitable for the body text, and the bold font is suitable for the title. Fann Grotesque, the work of Colophon font company, in which the non-italic orthographic style captures the British style in the 19th century Grotesque charm, and continue to explore its idiosyncrasies and imperfections. Design Fann Grotesqu was inspired by British font houses such as Stephenson Blake, Day & Collins, Miller & Richard. There are 9 font weights in total: Thin, ExtraLight, Light, Book, Regular, Medium, Semibold, Bold, Black, all of which are equipped with corresponding italics. Fann Grotesque by Colophon< section class='horizontal-tb' powered-by='xiumi.us'>
10The same as No. 4 News Sans from New York Sharp Type Company, Doyle with a sense of the times, combined with Cooper Black and ITC American Typewriter two fonts, creating a new result. While the Doyle font family has a strong structure, it appears a bit loose visually, hiding a kind of moist vitality when the pen and ink are not dry. < section class='horizontal-tb' powered-by='xiumi.us'>
11Monotype, which produced Helvetica, and its Albertus Nova is the Albertus font brought back to life in the digital age New work. In the new version, the original 2 weights have been changed to 5 weights from thin to bold. The original author Berthold Wolpe began to design Albertus in 1932. Since its inception, it has been widely used in book cover design, corporate identity system, signboard, and video games. Creative Boom predicts that Albertus Nova will be a frequent haunt in 2020. Albertus Nova by Monotype< section class='horizontal-tb' powered-by='xiumi.us'>
In 2013, it was completed in collaboration with German font designers Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department. FF Mark is from There are 10 font weights from Hairline to Black, which are very suitable for the design of movies, TV, advertisements, packaging, publications, publications, logos, etc. It is quite suitable for music, software, video games, sports and even web design. < section class='horizontal-tb' powered-by='xiumi.us'>
TT Norms Pro is one of the best-selling geometric sans serif fonts (geometric sans), very attractive and easy use. The design team provided 11 weights and their italics. TT Norms Pro can be used in a wide range, whether it is a large-sized text block or a subtitle, it is a geometric grotesk that is commonly used in various situations. 14Coign challenges the limit of "narrow body". Generally speaking, narrow-body designs are limited by space, making it difficult to develop unique styles and features. However, Coign has a total of 7 font weights and 4 font widths. It is no wonder that Coign is becoming more and more popular. Neue Haas Grotesk is the predecessor of Helvetica, designed by Max Miedinger in the 1950s. Designer Christian Schwartz completed the digital version of Neue Haas Grotesk in 2010. He said that "the warm character of the Miedinger version has been erased in many revisions. This reconstruction plan focuses on bringing back the original Neue Haas Grotesk by Miedinger, And be loyal to the original shape and space configuration.”Neue Haas Grotesk by Monotype16Okay Type's serif font, Harriet is like a modern Baskerville font with a touch of Scotch Roman the taste of. Extremely versatile, offering 2 optical sizes and multiple weights. < section class='horizontal-tb' powered-by='xiumi.us'>
Akira Kobayashi, a well-known font designer, and Adrian Frutiger, who invented the Avenir font, worked together to complete the new version Avenir Next. This is a reinterpretation of a classic, an extension of the original concept. The Avenir Next family has a total of 32 fonts ranging from ultra-light to heavy. Overall, the design of Avenir Next is simple and direct, whether it is used for copy content or titles, it is very good. < section class='horizontal-tb' powered-by='xiumi.us'>
18Nib's serifs and the parts hooked up by f, j, y and other letters are all elegant and elegant Funny and eccentric. Some are inspired by calligraphy, while others come from paintings on ancient stones. "The Nib is intimate yet aggressive, so it can be used in a variety of situations," says Colophon, the company behind the Nib. 19Silk Serif is a high-contrast font with thin, sharp serifs. The highlight of this font is that the stems of the letters are separated from the curves (bowls), but they are close together to create the illusion that they are connected. The P in the picture below is an example. If you want to show texture, Silk Serif is your best choice. < section class='horizontal-tb' powered-by='xiumi.us'>
Another work from Colophon font company, the prototype of Visuelt is more conservative, somewhat similar to Aperçu font, In the process of multiple revisions, adding new details and removing characteristics belonging to Aperçu, Visuelt found its own sound.
Source of pictures and texts | Creative Boom / Shopping Design< span >Website | creativeboom.com / shoppingdesign.com.twThe copyright of this article belongs to the original author
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