Each typeface of Chinese calligraphy has its own history of occurrence and development, and the development of seal script is closely related to the development of ancient characters. As the first of the five scripts of seal script, official script, cursive script, running script and regular script script, it is an independent and unique style of calligraphy in the art of calligraphy. Today, seal script does not occupy a dominant position in the application of characters, but because this kind of calligraphy is in the period of the origin and application of characters before calligraphy, it is directly related to the study of ancient Chinese civilization and the major issues of tracing history. In the development history of more than 2,000 years, the body has undergone many evolutions, and it runs through the entire history of calligraphy with its unique characteristics and beauty in calligraphy. Therefore, it is the lifeblood of cultural inheritance, and has an important role and research value that cannot be replaced by any book style in archaeology, character studies, philosophy, aesthetics, and human sociology.
Seal script is divided into big seal script and small seal script. The big seal script includes the earliest oracle bone inscriptions. It is the earliest recognizable font, and its main function is divination. Dazhuan also includes a large number of pictographic features. With the development of history, after Qin Shihuang unified the six countries, he also brought about the unification of characters, and from this, Xiaozhuan came into being. Seal script is actually the official document of the Qin Dynasty, and it is a standardized and unified official document writing style. Therefore, when used in formal occasions, it has the characteristics of neat arrangement, round strokes and uniform lines.
With the changes of the times, seal script has not only not disappeared, but has continued to develop with historical changes. If you look closely, the seal script of each era has its own style. In the Zhou Dynasty before the Qin Dynasty, the seal scripts belonged to the big seal script, mainly Zhongdingwen and Shiguwen. So it is also called Zhou Zhuan. Then there is the seal script of Qin Shi, which has been mentioned above. Then there is the Han Dynasty. At that time, the seal script basically continued the standard of the Qin Dynasty, which belonged to Xiaozhuan, but the style changed, and it was closer to the square. There are both large and small seal scripts handed down in the Tang Dynasty, and the representative character is Li Yangbing. The Qing Dynasty was the heyday of seal script. Seal script has also been greatly developed and incorporates the characteristics of regular script. There are also celebrities in seal script such as Deng Shiru and Zhao Zhiqian. Now we can see their names when we appreciate many masterpieces.
Du Fu has a saying: "No matter how people today love the ancients, the beautiful sentences of the Qing Dynasty must be neighbors." It can be used as our attitude towards rationality and expressiveness in the creation of seal script. There is no seal script without rational support, and there is no artistic creation of seal script without expressive means. In creation, the rhythm of brush and ink and the venting of passion are based on rationality. The two should not be paranoid. The problem is still how to grasp this "degree". degree" ability performance.
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