Lishu is a more influential font in Chinese calligraphy fonts, and it has a certain role in promoting the development of Chinese calligraphy fonts. Nowadays, brush calligraphy works of official script are studied and copied by people. The following is an appreciation of the calligraphy works of brush official script fonts compiled by the editor.
Pictures of Calligraphy Works with Brush and Lishu Fonts
He also said: "Xiaozhuan and Lishu are actually two systems, marking two major stages in the development of Chinese characters. Xiaozhuan is the end of ancient characters in pictograms, and Lishu is changing pictograms into strokes It is the beginning of a new type of script." "To judge whether a certain font is official script, we must first look at whether it destroys the structure of seal script and loses the original pictographic meaning."
Appreciation of beautiful brush official script calligraphy
Secondly, what exactly is called official script, and what is the strict difference between official script and seal script? Mr. Wu Botao has analyzed and determined in the above article, and here is an excerpt of Wu Wenzhong worth considering A few short paragraphs. Wu Yun: "Xiaozhuan also preserves the last meaning of pictographic characters, and draws them to follow the body; official script goes a step further, destroying the knots of pictographic characters with strokes and symbols, and becoming pictographic characters that are not pictographic" (he There are font examples, please refer to the original text).
The main points of the creation of official script
It is necessary to take the French and Han steles and the bamboo and wood slips of the Qin and Han Dynasties. The so-called method is to interpret and experience earnestly and assiduously, rather than superficially. Look less at the works of contemporary people, and look at the works of contemporary people to see their shortcomings and deficiencies.
Appropriately grasp the creative state of the subject. "Writing" is actually to put the writing process and creative emotions on paper. Repetition of strokes will form inertia. From raw to mature, avoid familiarity and move towards raw.
Get the style right. Style is generated naturally and cannot be generalized. If your style is not strong, you don’t have to worry about it; if you have already formed your style, you don’t have to be complacent or deliberately avoid it.
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