Source: Design IN Taiwan ID: designinTAIWAN
Popular predictions are overwhelming, and fonts are also coming to join in the fun. The design media Creative Boom recently released a list, predicting the top 20 fonts that may be popular with designers in 2020, as follows Let's find out together!
Official account background reply: Font Download You can download the font.
#01 Helvetica Now 2019
The biggest news this year is that Monotype launched Helvetica Now in April, the first redesign of Helvetica in 35 years, with every letter redrawn and practical options for modern designs teacher's needs.
Helvetica Now has been very popular in the past 6 months, and I believe it will continue to be popular in the future.
#02 Aeonik
Designer Mark Bloom, who has worked in the font field for many years while at Mash Creative, launched his own brand CoType this year.
CoType's font Aeonik has a strong structure and mechanical details. The designer positions it as a neo-grotesque with a geometric skeleton. There are 7 font weights in total and italic (italic) can be widely used.
#03 NewsSans News Sans
It can create a changeable vision, and can switch freely between noisy and high-spirited emotions, low-key and quiet. All the sharp corners have been changed into arcs, giving NewsSans a little more personality.
A total of 9 weights and 5 widths are available, all of which are italic. A free trial version of NewsSans is available for download at charactertype.com.
#04 Beatrice Display
New York type company Sharp Type’s new Beatrice is based on the traditional American Gothic and has tight kerning. Display (below left), and a standard low-contrast font.
#05 Untitled Sans Untitled Sans
From Klim, the New Zealand font company that launched caliber, it belongs to Neo Grotesk sans serif.
Untitled Sans has a design drawn from traditional lead typefaces between the Caslon and Times periods. This font is highly used and can be seen in many works.
#06 Gilroy Gilroy
is a modern sans-serif font with a geometric style. It can be regarded as a relative of the Qanelas font family. There are a total of 20 font weights, including 10 upright versions and corresponding italics for selection.
Light and ExtraBold are free fonts, which are worth a try.
#07 DIN Next
The classic design of DIN is not a problem, but its limited choice of font weight and width is another disadvantage that cannot be ignored. This century-old design has definitely stood the test of time, but it also needs a more modern redesign.
The flexible and ever-fashionable DIN Next was born. After the redesign, the classic DIN has turned into the indispensable DIN Next of this era. There are 7 font weights from light to black, each with italic and condensed designs.
#08 Recoleta Latinotype
The company combined the soft-bodied Cooper, a favorite of the 70s, with the smooth, slightly left-leaning Windsor, creating a familiar yet fresh, A modern Recoleta.
Latinotype provides a variety of font weight options, the thin font is suitable for body text, and the bold font is suitable for headings.
#09 Fann Grotesque
Fann Grotesque, the work of Colophon font company, in which the non-italic orthographic style captures the charm of 19th-century British Grotesque and continues to explore its idiosyncrasies and imperfections.
The design of Fann Grotesque was inspired by British font houses such as Stephenson Blake, Day & Collins, Miller & Richard. There are 9 font weights in total: Thin, ExtraLight, Light, Book, Regular, Medium, Semibold, Bold, Black, all of which are equipped with corresponding italics.
#10 Doyle
The same as No. 4 News Sans from Sharp Type Company in New York, the modern Doyle combines Cooper Black and ITC American Typewriter to create a brand new result.
Doyle font family has a strong structure, but at the same time it looks a little loose visually, hiding a kind of moist vitality when the pen and ink are not dry.
#11 Albertus
Nova produces Helvetica's Monotype, and its Albertus Nova is a new work of Albertus fonts brought back to life in the digital age. In the new version, the original 2 weights have been changed to 5 weights from thin to bold.
The original author Berthold Wolpe began designing Albertus in 1932. Since its inception, it has been widely used in book cover design, corporate identity system, signboards, and video games. Creative Boom predicts that Albertus Nova will be a frequent haunt in 2020.
#12 FF Mark
Completed in 2013 by German font designers Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department, FF Mark has a total of 10 font weights from Hairline to Black, very suitable for movies, TV, advertisements, packaging, publications , publications, logos and other designs are quite compatible with music, software, video games, sports and even web design.
#13 TT Norms Pro
TT Norms Pro is one of the best-selling geometric sans serif fonts (geometric sans), very attractive and easy to use. The design team provided 11 weights and their italics.
TT Norms Pro can be used in a wide range, whether it is a large text block or a subtitle, it is a geometric grotesk that is universally used in various situations.
#14 Coign
Coign challenges the limit of "narrow body". Generally speaking, narrow-body designs are limited by space, and it is difficult to develop unique styles and characteristics. However, Coign has a total of 7 font weights and 4 font widths. It is no wonder that Coign is becoming more and more popular.
#15 Neue Haas Grotesk
Neue Haas Grotesk, the predecessor of Helvetica, was designed by Max Miedinger in the 1950s.
Designer Christian Schwartz, who completed the digital version of Neue Haas Grotesk in 2010, said that "the warm character of the Miedinger version has been erased in multiple revisions.
The focus of this reconstruction project is to bring back the original Neue Haas Grotesk from Miedinger, and to be faithful to the original shape and space configuration. "
#16 Harriet
Okay Type's serif font, Harriet is like a modern Baskerville font with a touch of Scotch Roman. Extremely versatile, offering 2 optical sizes and multiple weights.
#17 Avenir Next
Akira Kobayashi, a well-known font designer, and Adrian Frutiger, who invented the Avenir font, worked together to complete the new version of Avenir Next. This is a reinterpretation of a classic, an extension of the original concept.
Avenir Next family has 32 fonts from ultra-light to heavy. Overall, the design of Avenir Next is simple and direct, and it is excellent whether it is used for copy content or title.
#18 Nib
Nib's serifs and f, j, y hooks are elegant and quirky. Some are inspired by calligraphy, while others come from paintings on ancient stones.
“Nibs are intimate and aggressive at the same time, so they can be used in a variety of situations,” says Colophon, the company behind the Nib.
#19 Silk Serif
Silk Serif is a high-contrast typeface with thin, sharp serifs.
The highlight of this font is that the stem of the letter is separated from the bow, but close together to create the illusion that they are connected, such as the P in the image below. If you want to show texture, Silk Serif is your best choice.
#20 Visuelt
Another work from the Colophon font company. The prototype of Visuelt is more conservative and somewhat similar to the Aperçu font. In the process of multiple revisions, adding new details and removing features belonging to Aperçu, it was only then that Visuelt was found to belong to own voice.
Official account background reply: Font Download You can download fonts (there are too many fonts, and the network disk is continuously updated).
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